20 Questions You Didn't Know You Wanted To Ask...Eddie Piller Right then funketeers, we're all getting older and unbelievably it's the 21st anniversary of Acid Jazz! What a stroke of luck I remembered to ask the great Mr.Piller to do this when our paths crossed again after the big Weller O2 show in the summer. This is a bit special so to sum up who Eddie is for those of you that don't know I've turned to my (not neccesarily even remotedly but almost sometimes accurate) friend Mr. Internet...
'Starting his career in the 1980s as a part of the English mod revival, Piller launched the underground fanzine Extraordinary Sensations and operated as a DJ and concert promoter. In 1985, he started the Countdown Records label, through Stiff Records. That record label gave fresh momentum to the underground mod scene, by signing bands such as The Prisoners and Makin' Time, and by issuing the mod revival compilation album 5-4-3-2-1 Go! Piller appeared in the Style Council's video for their single "A Solid Bond in your Heart". He signed and A and R'd bands like The Untouchables, The Prisoners and Makin' Time for Stiff and set up an indie label called Re-Elect The President who launched the careers of the James Taylor Quartet and The Jazz Renegades (who featured the Style Council drummer Steve White)
In 1987, along with DJ Gilles Peterson, he started a new record label, Acid Jazz. This soon gave rise to Britain's newest musical movement, the acid jazz scene, which included bands such as the James Taylor Quartet, Corduroy, the Brand New Heavies and Galliano. Piller has been credited with discovering or "breaking" many of these bands. A revival of the record label in the 2000s has resulted in several releases, including a 2006 single (and album) by Lord Large, which featured guest vocals from northern soul singer Dean Parrish and appearances by guitarist Steve Craddock of Ocean Colour Scene and Richard Searle of Corduroy (amongst many others). Piller has continued to be influential in the underground dance music scene due to his many live DJing appearances and his evening radio show on BBC Radio 6. he is a regular at most of the British festivals and usually appears at The Isle Of Wight, Glastonbury, Bestival and the Isle Of Wight Scooter Rally in August.'
Add to that having the vision to sign the phenomenal Mother Earth for one, all the new acts like Twisted Tongue and Leleo bringing the funk to this day and of course the mod credentials that having a mum who ran The Small Faces fan club brings and you'll see why I've been so excited about getting this one in the bag for you. Enjoy and when you're done there is another fantastic interview with the legend that is Eddie Piller that can be found over at modculture if you follow the link. Thanks of course to Eddie for some frank and interesting responses and for getting involved. Happy 21st Acid Jazz. Enjoy!
Love n' gumdrops, TBC  1. How would you best describe what you do to the uninitiated?
not really, i have very broad musical taste and appreciate most things from Thomas Tallis and Carl Orff to Dan le Sac and Scroobius Pip and just about everything in between. Not a big fan of techno or metal, although i love the sound and spirit of the first heavy rock bands, just not the kerrang! type of thing
blimey - loads of things, signing and developing Jamiroquai, persuading terry callier to come out of retirement, the blue note club, which was the epitome of my career, acid jazz and all that the label has achieved, loads of shit
8. What’s the most ridiculous request that’s been asked of you/the band? i am a black music dj and sometimes - when i am playing in a normal peoples club I get asked for totally inappropriate tracks. that pisses me off but the best one, and believe me, this happens regularly, is when someone comes up and asks me to 'play something by james brown' - i sigh and point to the turntable which clearly shows that I am actually playing James Brown as they ask the question, trouble is, they want sex machine but im playing get up and drive your funky soul. Talking of Sex Machine,
i would have played bongos on the long version of Move On Up by Curtis, from his first album. the part is amazing and sounds like the percussionist had a great time...one of the best tracks ever - yeah, id loved to have been there
no, I have been massively rich and successful and massively poor and a real failiure. I just do what I do, if success comes great and as i said above, you have to survive and pay your way but I would be doing this regardless. I have done since I started my fanine at 15, thirty years ago
gergory isaacs sleevenotes for the Private Lesson reissue on roots records, about threee months ago. i produced the album back in 95 and its out next month as an expanded reissue. i loved that record
dont care. if a record is good then its good. i used to have a big thing about analogue and valve based equiptment when I was producing but you cant escape digital processing in the end so it;s pointless. as long as people can play or sing, it;s all good
20 Questions You Didn't Know You Wanted To Ask...Jon Kennedy
Hello funky peeps...it's been a while but hopefully things are back on track....some exciting stuff coming up in the next few weeks and we're kicking it all off with an interview with the seriously prolific and hard working beatmaster...Jon Kennedy! Here's a little snippet from his biog - 'Almost certainly one of the 3 most talented men in all of Stockport. Jon is a man on a musical mission. What the end result may be remains a bit of a mystery, not least to the man himself but rest assured it includes an enormous bag of breath-takingly beautiful tunes, copious rump-shakingly fine dancefloor corkers and a hatful of innovative ideas bordering on musical genius. He's certainly a talented chap. Autumn 2002 Jon joined the Grand Central family. Bred a stone’s throw from GCHQ, his childhood in Stockport was characterized by exposure to new and interesting music, as a function of his parents’ enthusiasm for the pioneering artists of their day. Jon cites Peter Frampton, Electric Light Orchestra, David Essex and Geoff Wayne’s “War of the Worlds” (check out the H.G. Wells classic !) as early influences. His taste would in part be shaped also by his brother’s musical excavations, which brought him into contact with more guitar-centric bands like KISS and AC/DC.' Very different for The Right SIde Of Funky I'm sure you'll agree but we're all in it for the education after all, make sure you check out his pages and his new E.P. He doesn't seem to have an off button which I think is highly commendable. Love n' fizz, TBC 
I am probably at the height to be honest as it's a very 'tight' scene I mince in.. It's not as friendly as one would have 3. Which song (not neccesarilly yours) best sums you/the band up and why? Jimi Hendrix - "Crosstown Traffic" 4. Who would you say has been your biggest inspiration (musically or otherwise)? My bro originally, without him realising ( still to this day ) he played out a lot of the dreams I had via Kiss, ACDC and various late 80'd rock outfits.. 5. Is there anyone amongst your influences that you think would surprise people and why? Maybe Vaughan Williams. His compostions ar filmic and lush and something I listen to often. 6. What are you most proud of? My hair... I grew it myself and people mention it all the time be it good or bad 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? I think my first label signing was a good idea to start with but quickly turned into a nightmare when i defected from them. With them slandering and aiding to stop my career from that point on. 8. What’s the most ridiculous request that’s been asked of you/the band? "who do u hate" 9. What do you think is the secret to a good working relationship amongst musicians? I'm not so good at "working relationships". Musicians are very unpredictable folk which is what makes a good talent in my experience.. 10. If you could have played on one song (that you don’t), what would it be and why? "Crosstown Traffic".. that drum break by Mitch Mitchell is so simple and so killer ! 11. How do you make the balance between music and personal responsibilities? I often get too persnal on social network sites. giving my opinion a lot, this is NOT always my strongest quality but I'd rather be honest and accesible than lie and try to be exclusive. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? My recent release is a VINYL only release with a digital dropcard free. This way the real music lovers and collectors will end up with a tangible piece of history ! 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? No gameplan as such.. Every year there is a new surprise be it travel, an appearance or show or simply that I have been "dissed" by a local MC ! 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? DJ's play other people's music in time, if you're lucky, in the main. I know for example the DJ's in my genre are generally shite and play their label mates tunes 15. To date, what has been your most memorable gig (either as a performer or as a fan)? A Memeorable performance was either a live show at a jazz festival in Nantes, France last year or one in Kuala Lumpur with my band also for the sheer stardom of it, It was 16. How do you overcome pre-gig nerves (if you get them)? I get them EVERY FREAKIN LIVE SHOW. Super bad, i dont have a remedy... The only cure is to get on stage and beat shit out of the drumkit ! 17. When did you last write something? Last week i wrote a track for the forthcoming 7" released in Autumn on Organik recordings.. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Only once, after a completely empty live show, but it turns out I was set up and THAT was the idea ... 19. What are your views on electronics muscling in and replacing live instuments during recording? It's essential in this day and age but I shouldn't let this stuttering laptop, vocoder and such glitchy bollox take you too far up your own arse. It;'s a trend that when you are 30+ 20. Lastly, thank you for your time. What made you agree to answer these questions? RADIO SHOW
20 Questions You Didn't Know You Wanted To Ask...Eddie from The New Mastersounds Hello funky people. A real treat for you now. I’m very happy to say Eddie Roberts from The New Mastersounds has been kind enough to spare us some time. You should all definately know who these guys are so I don’t need to explain too much. Currently riding high with their fantastic album ‘Plug & Play’ which features Dionne from Baby Charles on vocals (scroll down and read her Q&A when you’re done peeps)…The New Mastersounds are THE number 1 funky band around. For me, hearing ‘One Note Brown’ for the first time was a real turning point in buying music and I haven’t looked back since. Seeing them live is possibly the best night out you could ever hope for…they never dissapoint and the vibe is pure magic. You can check them out on their website or here on myspace. If, unbelievably you aren’t familiar with The New Mastersounds all I can say is every track’s a must have. A good starting point is the album ‘Keb Darge presents’ which features the aforementioned belter ’One Note Brown’ but also check out the track ‘Nervous’. All you have to do then is try and work out which tune you need to drop from your top ten of all time to make room for it. They’re all funktastic and the album ‘102%’ is another massive highlight that needs a shout out in my opinion. The biggest thanks ever to Eddie (who’s another top fella by the way) and stay funky children! Love n’ sugar, TBC
1.How would you best describe what you do to the uninitiated? It would be nice to not put a label on what we do.. it’s good music that is definitely aimed at making people dance, combining all the influences the four of us have had…musically and in life experiences..trying to create an honest and human expression of this. 2.Where would you say you are with regard to your career right now? Right now we are enjoying the hard work of the last ten years.. playing to bigger audiences all the time and generally being respected and recognized for what we do. All one could ask for really! 3.Which song (not necessarily yours) best sums you/the band up and why? It’s impossible to summarize the band’s journey for 10years, and my own for 20… we’ve been hitting a point over the last two shows where we land on a groove and just sit there bubbling away …I realized and exclaimed..’the NMS definitive groove’, but I guess you’ll have had to be there! I think the first time I realize I’d found my genre was shortly after I’d arrived in Leeds (from my Welsh homeland) and was given a cassette tape of various soul jazz tracks by some local DJ’s – this was the first time I heard Grant Green…and heard the ‘sound’ that made sense to me. 4.Who would you say has been your biggest inspiration (musically or otherwise)? I’d say my older Brother! He was the one who, from when we were 11 and 13 respectively, started the quest of musical discovery..and still to this day is still integral in my musical discovery. I just had the pleasure of repaying him a little by not taking no for an answer for him to travel from Cardiff to Leeds, to stay only 12 hours, but to see Dr Lonnie Smith trio (also featuring Melvin Sparks) in my friends 100 capacity bar, Sela. We were floored by the experience.. 5. Is there anyone amongst your influences that you think would surprise people and why? It may surprise or not, but John Coltrane is a massive influence on me and on how the band works. Musically quite different, but the way the John Coltrane Quartet operated…the ‘band’ sound, the communication and movement of ‘one’ that comes from them was a big part of what I wanted to achieve with NMS, and sometimes I really feel that we get there. 6.What are you most proud of? I’m really proud of every show that really ‘happens’. That may sound a bit pretentious, but in this game we say ‘you’re only as good as your last gig’! 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? The first album ‘Keb Darge presents….’ All went a bit pear shaped with the label BBE. I don’t actively regret it as it was a springboard in some senses..but it did make the band fall apart in the following 2 years, and we had to restructure the way we worked and the responsibilities. It’s when we set up One Note records so we would be in control of our rights. 8.What’s the most ridiculous request that’s been asked of you/the band? We do find ourselves in some crazy scenario’s…like when we played to 2000 boy scouts, or when we played the British Ambassador to Mexico’s garden party (in Mexico city)… or 10,000 feet up mountain in Colorado while the sun goes down.. sometimes you have to check yourself and realize that you’re there and this is actually happening. 9.What do you think is the secret to a good working relationship amongst musicians? It helps if you all share a similar goal; are relatively easy to get on with, being able to hang out..without being bland!, and don’t have an untreatable body odor problem. 10. If you could have played on one song (that you don’t), what would it be and why? Whatever the biggest selling record of all time is! Haha.. but seriously, if I could be on a record now, I’d want to make one with Dr Lonnie Smith, Idris Muhammed & Lou Donaldson (all of whom I’ve played with individually I might smugly add!!) 11.How do you make the balance between music and personal responsibilities? I wasn’t aware that I did! Haha.. it’s tough, but we couldn’t do anything else…It’s like we’ve bitten the apple and there’s no going back. We have to rely on our partners and kids being very patient, and as much as we can, include them in the musical part of our lives. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Not really. As I stated before, I can’t really claim to have had that much of a buying experience…it’s was always my brother or DJ’s friends around me saying..’check this out’, and burning me tunes on whatever medium was currently the easiest. Right now…since switching to MAC, I’m thoroughly enjoying downloading loads of tracks I’ve been after for years that maybe I had on a cassette years ago and lost. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? Playing music is my motivation, I live and breath it. The success factor is also really important, because it is an indication of more and more people connecting with what you’re doing. We find that generally the American audiences are really getting what we’re doing, and our following is noticeably growing everytime we go there (which has been 7 times this year, with one more trip to go). There’s much more respect for live music and musicians out there. Saying that, we still love playing in Europe…and Japan, well, is just a whole different crazy ball game! 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? To correct you on that statement, DJ’s are as famous as the bands they play in EUROPE! In the US it is very much the bands that lead the field…with pretty much no funk DJ presence at all, with exception on NYC and SFO maybe.. Whether it is deserved or not…the answer really is in a previous answer…if their success is a product of people connecting to what they do, then it is deserved. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Last night in Charleston, South Carolina! I have too much short memory loss… Aside from that, I’d say when NMS was Lou Donaldson’s backing band…we had an amazing show in the Eden Project in Cornwall to around 1200 switched on people. 16.How do you overcome pre-gig nerves (if you get them)? It is a funny process…I think if you didn’t get pre-gig nerves then you wouldn’t be a performer.. Essentially it’s the adrenaline drug getting released a bit early..which brings on sickness, tiredness, the need for the toilet..! etc. I personally feel really tired for the hour running up to a show…I think it’s the way my body suppresses the feelings until it’s time to release. The hardest thing pre-gig is to have a meaningful conversation with someone… You’re so focused on what you’re about to do, it renders you a bit spaced out. People assume I don’t get them after so many yeas, but like I said it’s just the way I’ve learnt to deal with it, but I can assure you, they’re there! 17.When did you last write something? We went in the studio last Monday as we had a show cancelled and found ourselves in the right place, all together…so we went in and wrote 2 tracks with Dionne Charles, who’s been singing with us on most live shows over the last 6 months. 18.Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Yep! I’d say 3 big times over 20 years of performing…but probably many more times when you’re on the road and exhausted. It’s an existence, with a lot of ‘normal’ sacrifices and incredible rewards.. Sometimes I long for normality, but I also know that I couldn’t handle it..I tried it once for 3 months, but then lost the plot! 19.What are your views on electronics muscling in and replacing live instruments during recording? You’ll always need a human to program it! And if that’s the way an individual expresses themselves, then that’s cool. You’ll never be able to replace electronic instruments to create real live funk…maybe I’ll eat my hat one day! 20.Lastly, thank you for your time. What made you agree to answer these questions? What? Talk about myself? Are you kidding! I could do it all day (and probably do) haha… It’s just nice that anyone’s interested.
The fantastic hammond skills of Paolo Apollo Negri are something else funky people. A true Jedi! Apart from anything, the fact he’s played with the likes of Brian Auger, Sugarman 3, The New Mastersounds and Frank Popp (obviously not together) is more than enough for me. Honestly though, that doesn’t even begin to cover the list of people he’s shared a stage with and I haven’t got a clue where to start with the people he’s actually made records with either (fortunately all of that is well documented here on his myspace page…touch!). I have however had the very good fortune to check him out live with the magnificent Fred Leslie’s missing Link (Paolo is the’link’ - keep up! - If that's confused ya funky noggins you should re-read Craig's Q&A from earlier in the year for a refresher). Those chaps you should already know are the uber hot new contenders to the funky throne of global groovin’ (and I might have to copyright that before one of them does), when I had the pleasure of checking 'em out Paolo really was playing somewhere out there in a galaxy way, way beyond funky! I dug it like a wide collared and super flared out of body experience! There’s no point fighting it either…it’s just meant to be! A new single from Paolo Apollo Negri and a release from Fred Leslie’s missing Link are imminent (all on Hammondbeat Records) so it’s happy days again ya jammy dodgers. In the meantime you have to hear some of his amazing playing over at Paolo’s myspace or by clicking over to Fred Leslie’s missing Link and be sure to start catching up with all the stuff that he’s already put out there. Many thanks to you Paolo for doing this and may the funk be with you all. Love n’ a particular brand of biscuits, TBC 1. How would you best describe what you do to the uninitiated? Well, I play the Hammond organ, of course!
I've played since I was 6 but music has become my job only for the last 3 years. I must say I’m really happy about how things are going now, there are a lot of projects going on, but I don’t really know “where” I am at the moment! To be sincere I hope to be at the beginning, I’m expecting much more to happen in the future! 3. Which song (not neccesarilly yours) best sums you/the band up and why? It’s very hard to name a single title simply because I love too many different things and styles to be summarized in a single song! I think that the A-side of my last 45 (which is titled “Paparazzi”) is the one I would choose, it's a retro funk/rock soul song and there’s a lot of my musical influences in it… so, even if not completely, that’s the tune I would choose to answer your question…
When I was 12 my father moved his old vinyls to our house and I put my hands on Brian Auger’s discography… well, that day I decided what I would like to become in the future. So I think that Brian is my biggest inspiration even if my style is quite different from his one, I never wanted to be a clone!
As I said before I love many different things so probably there’s a lot of titles that people would not expect from me. I could name bands like Soundgarden, Beck, Morphine, Einsturzende Neubauten, Sonic Youth, Rage Against the Machine… there’s a lot of bands that I always liked and followed that are so far from what I play, but I think that they influenced me in some way…
Ah ah, my sideburns and my 1961 A-102 Hammond (it’s called Miss Cherry)!
No, I have never done anything like that. I always tried to play what I like, if something is not “good” to my ears then I think is not good for me! During these years I’ve met several people playing in bands which were trying to reach for success and I always had the impression that these people were not playing something they really enjoy, the were playing what “people” are supposed to like… the result is that people don’t like what they are playing simply because they are not enjoying their own music! Quite perverse I think!
All the times we have been asked - with reguards to different bands - to shoot videos! You know, if you want a “cool” video you have to spend quite a lot of money and so we have always been asked for “cheap” videos and everytime it has been so funny! The first I had was with an italian Dj and they made me wear very high heels shoes…and they were so small that I nearly got my feet broken, crazy! Then we had a video with the Link Quartet where we exchanged our instruments, so I was playing guitar and it was so ridiculous! The most recent one we had was with Wicked Minds. A friend of ours had to film me during the solo and he was standing right beside the Hammond. The song started, I playied the solo and he shot from the upper side, right above my hands…when everything was finished and we watched the video we discovered that he was using the camera upside down and so during the solo he filmed the roof, ah ah ah ah!!!
Well, it’s hard to say, every band has its personal point of equilibrium, I think it depends on who is involved in the band and I don’t have a universal recipe for how a band should behave. What I can say from my personal experience is that too many heads thinking in a band is not an easy deal to manage! Better to create a center, to have one main head thinking and the others to follow. It must sound rough - and I’m not saying that I am that leading head!! - but it’s the safer way I think. I've played in bands where 5 people try to do all the work together, it was like hell! In other projects where guitar players or singers were the leading figures we have never had problems, everything follows a more precise scheme and I think this is the best formula. Of course the ideal relationship is based on friendship I think but it’s hard to find such a situation! It's happened to me at times in bands where friendship was the base and these have been the best experiences for me! I’m talking about The Link Quartet and Wicked Minds, in both these bands we have had a very good relationship and we have had so much fun together, and still we are good friends! I think it’s a very rare situation and I can call myself lucky for having experienced it!
I’d like to be Leslie West playing “Missisipi Queen” with Mountains or John Bonham playing drums on “Whole lotta love”…or even Judas in Jesus Christ Superstar… ah ah don’t ask me why because I don’t know how to explain it!
Well, music is my job so, in the last years in particular, music has become a part of my personal responsibilities. Maybe too much I must say! You know, it’s easy to lose the pleasure in what you are doing if you do it as work. I’m trying to make this not happen and I think that the secret is not to give it too much importance…if you still have fun in what you are doing then everything is easier and lighter and even your personal responsibilities seem to be easier to manage!
I think that the internet and downloading has brought a wider range of people to music. Think about iTunes or even myspace, you can find almost everything you are looking for in a few seconds, this was fantascience just 15 years ago! And more and more people are approching music now that is so easy. Of course this resulted in a loss of sales for the record companies and indie labels too. I’m not sorry about this because it forced the majors to lower the prices and the indie labels to be very focused on quality, which I think is a good point! Of course things are changing very rapidly so I think it's too early to make a balance. Of course the music business will have to face other challanges in the near future. This is, as usual, scarey on one hand but very exciting on the other…I think nobody can predict what will happen with new technologies in the coming years but I feel that we have a great opportunity on our hands!
If success would have been my motivation I would have joined Madonna 10 years ago!
Well, I must admit that Djs - the good ones of course! - have a musical feeling that many musicians are lacking. I mean, musicians are often related to their instrument, the way they feel the music is filtered through their skill and other things that make their musical sensibility very far from the “common” peoples taste and feeling. Djs - always the good ones! - have a more “general” feeling about music and this is why I’ve always found it interesting collaborating with them! It’s a more concrete approch to music, please pass me this word, but more effective from many points of view! Now depending on the genre you are playing I personally think that having a good Dj in the line with your producers is always a good plus to your work!
The one we had with The Link Quartet supporting Manu Chau had been amazing, 20.000 people or something, incredible!!! I think I smoked 50 cigarettes before and during the show, ah ah! Then I must quote the one we had together with Brian Auger, it's not hard to argue why! And the Burg Herzberg and Crescendo festivals we did with Wicked Minds together with Hawkwind, UFO, Wishbone Ash and many others, they have been really huge and amazing, I’ll never forget them!
Once I used to smoke but now I quit so it’s only about waiting
I keep on writing things, for me or for the bands I play in, the last one “recorded” comes from a couple of weeks ago but I never stop writing so I cannot give you a precise answer!
Well, every morning I think this is the last day I’ll have as a musician! Then after a coffee everything gets better and I tell myself that the last day will be tomorrow 19. What are your views on electronics muscling in and replacing live instuments during recording? I think that technology itself is never good or bad, it's the way you use it that makes it a plus or a minus! Generally speaking I don’t like “fake” instruments, I like live recordings and I think that 99 percent of the time this is the best way to record something! At the same time we have a lot of new recources from technology that open a wide range of new possiblities and I find this aspect very promising and interesting!
Hey, it has been a real pleasure…now please get that gun away from me!
20 Questions You Didn't Know You Wanted To Ask...The Moombas ‘The Moombas want you to add rhythm to the blues’ and that seems like a flaming good idea to me. More to the point, it SOUNDS like a fantastic idea and you can hear for yourself here on The Moombas myspace page . Their stonkin’ version of ‘In The Basement’ instantly pulled me in frankly and because the land of funk, soul, rhythm and grooves is such a wonderful place to dwell, it transpires that this very weekend you can check them doin’ the do when they play Pigsnoots at The Troy Bar (and if you check out Pigsnoots page on myspace you can hear another track from The Moombas). That’s handy eh? They’ve got a seriously tasty handle on ’the thang’ and I just know you funkers are gonna dig it so check out details of the gig over on on the ‘Heads Up’ tab. It’s all go peeps! Muchos thanks to The Moombas for jumping aboard and thanks as ever to you out there for staying the right side… - Love n’ jelly tots, TBC
1. How would you best describe what you do to the uninitiated? Valenka: “Live rhythm n blues.” John: “Yes, the live element is important to me, even in recordings. It’s not music by one person sitting at a computer or conducting an orchestra. It should be spontaneous and produce spontaneous reactions. Its very old fashioned dance music really, made for jumping about to on a Saturday night.” Kevin: “It’s music that connects with people at a basic level, where you don’t have to ask yourself why you like it…” 2. Where would you say you are with regard to your career right now? John: “At a very early stage. Val and I have been playing together with different line-ups for some time but the band is relatively new. Kevin, our bass player only joined a few months ago for instance and has made a real positive difference to our performances.” Kevin: “Well, after years of simple playing to pay the bills, I feel that with this band that I’m getting back to the original reason why I picked up a guitar in the first place…to have fun!”
V: “Soulful dress…the protagonist puts on her dress and makes this huge effort to blitz the social scene like a boxer but with her glad-rags on. In the morning she’ll be average again. Everyone is basically like this…if not, they’re on class A drugs permanently or huge egotists. J: “In the basement’ for me, as its just about drinking and dancing and its not a straight forward copy of the song by Etta James. I think it’s important to try to remake the song in some different way if you can. ”
V: “Its between Nick Cave, Bessie Smith and Nina Simone.” J: “Well for Val’s three singers, I’ll substitute three towns – New Orleans, Havana and Kingston in Jamaica. I’ve been collecting the music made in these places for a long time and it makes me want to dance. I would never trust a drummer who didn’t like to dance.” Kev: “And I particularly like the bass playing of James Jameson who played on all those great Motown sides.” 5. Is there anyone amongst your influences that you think would surprise people and why? Val: ‘YES! Nick Cave. I don’t come from a Jazz/Blues background. It was only when I heard blues women such as Bessie and Ma Rainey that they just punctured something in me and made me want to sing. The very first song I learnt and played in public was ‘Nobody’s bizness’ by Bessie Smith but Nick Cave will never leave me for his lyricism. It’s all about anger, I guess. I used to be very unforgiving about ‘entertaining the audience’. So…vintage anger is an influence. It’s kind of vindicating for some of us with such issues… John: “Yes…and I would like to thank my father…whose face I see before me in the snare drum, as I bang on it’s surface with two sharp wooden sticks…”
Val: “I’m Proud of not ending up in prison or in a nut house.” John: “Me think you speak too soon.”
Val: “I’ve had a few regrets. I used to get hideously drunk before going on stage when I should’ve been locked up in a tower or causing mayhem before or after gigs…performing black magic woman…but no regrets with this band at all.” John: ‘I wish I could say that I have had to compromise my virtue or sell my soul to the devil on a lonely crossroads but I will leave those important issues for the people who audition for the x-factor.” 8. What’s the most ridiculous request that’s been asked of you/the band? Val: ‘Well, I made the most ridiculous request from the band. Though to me it still isn’t! I wanted to cover ‘The Violent Femmes’ in a rhythm and blues way, which just got guffaws and shocked eyebrows and rolling eyes! My love of punk and Goth are taboos in this band you know!’ J: “Yes, they still are. I love switching genre with a song but there is a limit before it sounds wrong and I’m not a punk rock drummer! I would like to combine blues material with a jazz method and a punk attitude…just as long as it’s not four to the floor on the base drum, with synthesizers and guitar solos that go on forever.”
Val: “Get rid of the dictator and give each other room to breathe musically. Any collective experience can get hairy. Some dictatorships work but personally I don’t like them.” John: “I listen to a lot of jazz and when it works musically, its through being collective and co-operative. It’s all about interaction. When we have arguments it’s usually because one of us has started to tell the other what to do musically. You have to trust everybody to get it right in the end and respect their ability to play their instrument.”
Kevin: “Hound Dog, just to have been there to see Scotty Moore THWANGING out those notes at the start of the 2nd solo…just magical stuff!” Val: “I would have loved to have learnt the violin and played Vaughn William’s lark ascending or piano on Nina Simone’s ‘I got it bad’. NEVER play that song to me in public, as it’s the only song that can break me. It’ll end up in tears…” J: “The drums on Hook and Sling by Eddie Bo, or any second line beat…or perhaps that Shadows track which is basically just a very melodic drum solo with a guitar riff at the beginning and end…No ‘Cliff’, very little ‘Hank’ and all the better for it.’
Kevin: “That one still eludes me and I have got the mental scars to prove it.” Val: “No balance for me either…something’s been sacrificed - like a tidy house, work projects, origami classes. I don’t know how others do it. We have regular gigs and rehearsals and daytime jobs but I would collapse without our music endeavors.” John: “Just call me irresponsible…”
Val: “Yes; the whole record rummaging ritual, the mystery, the expectation, the mistakes, the meditation of physically browsing through all that vinyl. I worked in a record shop for 10 years, so I couldn’t see it any other way.” John: “The real issue is current recording technology and distribution. I feel nostalgic for the days when you often didn’t have a picture of the artist on the cover of your 78, 45 or 33rpm LP record. This was when what you heard was judged strictly on musical terms. So many songs these days cannot be separated from the videos. Music has become part of an entertainment/celebrity experience, controlled by a global industry that seeks to make everybody listen to the same thing. 13. Do you think that success is your motivation and do you have a preset gamelan for your music/the band? Val: “Success through acquisitions says more about your shortcomings than anything else. Certainly its not money for me or even respect on a commercial level. Personally, if we can record an album that we are all proud off and have the opportunity to gig as much as we can, then I would feel quite successful. One can be successful at being an arsehole! It’s relative and I hate to measure life in those terms. Maybe being successful in communicating something in music is as close as I get to it. John: “I just want to make music that I like personally, which is harder than you would think… 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? John: ‘It’s the one thing I cant stand about some DJ’s - their lack of interest in learning about or promoting the cultures and people who actually made the music that they play and make money from. I’ve read and I’m sure you have, notes on DJ driven compilations that are just about how much the record’s worth to collectors or how many times it was played at the Wigan Casino in 1974. D J’s should be researchers first…promoters for the lost, the forgotten and the unloved or at least interesting meetings between one song/rhythm and the next…in that sense they are worth something. Otherwise you might as well put a penny in the jukebox or plug in your Pod!” 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Val: ‘Playing Bloomsbury Bowling Lanes and the realization that we could get a whole crowd from so many varied musical tastes to bop up and down for the entire gig. Kevin: “Carl Perkins at the Town and Country Club years ago. He must have been in his 60’s at the time but played with a passion and energy that made the night a great rock n roll experience. Also, Richard and Danny Thompson at the Royal Festival Hall several years ago. They managed to transform a large space into something much more intimate…” John: “Well, I sometimes listen to fantasy concerts in my head. Wouldn’t it be great if Hendrix had made a record with Duke Ellington, that kind of thing…but in reality it would have to be the Arkestra - live with Sun Ra, now sadly departed. I often think about that experience and am sometimes tempted to join him on the outer space ways.” 16. How do you overcome pre-gig nerves (if you get them)? Val: “A glass of wine and toilet meditation.” John: “Playing.” Kevin: “Don’t really get them, as long as I’ve practiced enough. I guess now that I’ve said that they will creep up on me just when I’m least expecting it.” 17. When did you last write something? Val: “ I wrote something today about suadade. I have come to dislike the words ‘depression/bi-polar’ etc. I much prefer melancholia and suadade, which are both more about reflection and meditation. It was semi-biographical but not a song, and therefore it was upbeat. Its weird all my sparkly friends write in a moody way and all my ‘dark friends’ write in humorous way. I wish I could write upbeat lyrics but I find it all a bit of a struggle. I’ve been told I write about revenge too much. Which is quite a wishy-washy accusation come to think of it. It’s all an eye for an eye with me…” John: “And a tooth for a tooth….” 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Kevin: “Many times…yeah, but I think it’s like a drug…hard to quit.” John: “When personal factors get confused with music, that can be bad but I enjoy playing so much, one puts up with all the pointless human conflict.’
John: “All the music I am interested in demands some form of improvisation. A computer can’t improvise. I want to hear a conversation between instruments, not a keyboard pretending to be a piccolo over dull thudding drumbeat. When electronics are used to expand the musical vocabulary they are fantastic. Les Paul’s use of multi-tracking was great, nothing had been heard like it on the planet before but now that same technology is used to create everything and it bores me to death because it is predictable, clean and gives you too many options. Creativity comes from what you can’t do, not what you can do.’ Kevin: “It depends what sort of music you are recording. A lot of modern stuff is based around a digitalized and processed sound but Personally I prefer fingers and sweat on strings and skins.” 20. Lastly, thank you for your time. What made you agree to answer these questions? Val: “There was nothing on telly and I had nothing else to do in a pleasurable sense.” John: “I like answering questions…in a pleasurable sense.”
20 Questions You Didn't Know You Wanted To Ask...Leo from The Dynamites The big guns are coming to town and we’re very lucky to have an exclusive pre-Jazz Cafe Q&A with Leo from The Dynamites (billed as The Dynamites feat. Charles Walker). I hope you’re feeling spoiled my funky brothers and sisters cos I know I am. This could be in danger of being the longest introduction I’ve ever had to write but I will try and keep it to a minimum as best I can. Featuring the northern soul LEGEND that is Charles Walker on vocals The Dynamites album ‘Kaboom’ is spot on! It's all 60’s groove, 70’s funky soul and just the right amount of the present day. Seriously, if you haven't got it then you need to get that sorted! (‘Can You Feel It’ was on one of my early selections as it was one of those tunes I couldn’t shake out of my head….and I still can’t, it's that good!) Charles Walker is the man responsible for the fantastic ’Please Open The Door’ (by Little Charles and The Sidewinders) amongst others - I know, and he’s playing the Jazz Cafe people …with THE DYNAMITES! Thanks to the always impressive G-Spot Events you can catch them there on Thursday 13th November (click on the name to access the G-Spot myspace page where you can order/find ticket information) along with another legend…Deep Funk pioneer and northern soul champion Mr. Keb Darge himself (what can I say folks but yes, it’s the man that inspired a million funky record collections to grow and grow and grow and well, just keep growing) AND as if that wasn’t enough…the ultra talented and lovely Miss Corrina Greyson will be doing her own silky voiced thang too. Nice. This life malarkey’s bonkers sometimes but it ain’t ‘arf cracking eh? This gig really is gonna be a biggy groovers cos all these cats are about as cool as they come! Anyway, Leo (or Bill) is the unfaultering guitarist, songwriter and founder of Nashville Funk Daddies The Dynamites so read on and smile you lucky funkers. A million thanks to Leo for embracing The Right Side and a very special thanks to Miss G for the heads up and assistance, you’re the best! Love n’ sunshine, TBC
1. How would you best describe what you do to the uninitiated?
20 Questions You Didn't Know You Wanted To Ask...Mr.D from Vibratonic Get on this funky brothers and sisters. FunkLab Studio owner and producer Mr.D has been kind enough to indulge us with a Q&A. Vibratonic have a real nice vibe to ‘em. They’re a 7 piece line up hailing from East Oxford…I know no more other than their tune ‘Money’ hits the spot bang on in my ears peeps. They’ve just uploaded a new choon that’s well worth a listen too called ‘Here With Me’ - Check it out here on myspace and keep your eye on Vibratonic. Many thanks to Mr.D! Love n’ clusters, TBC
1. How would you best describe what you do to the uninitiated? - Play Piano, make and record music that hopefully some people will enjoy listening to. 2. Where would you say you are with regard to your career right now? - I’m still very eager to learn as much about music as I can, and with any luck write some songs people will like along the way. There’s lots of new Vibratonic material being recorded at the moment, and the whole collective is on a bit of a musical high. I don’t really think of making music as a career, more just a great way to enjoy life. If somebody wants to sign us up and hand over a huge advance that would be great, but I’m not waiting for the phone to ring. 3. Which song (not neccesarilly yours) best sums you/the band up and why? - I just can’t think of one. 4. Who would you say has been your biggest inspiration (musically or otherwise)? - Bob Marley, both for the music and the general outlook on life. 5. Is there anyone amongst your influences that you think would surprise people and why? - Not really, I think they’re pretty clear to people who know me. 6. What are you most proud of? - My 3 year old son. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? - I was in the Future Music Magazines ‘Changing Studios’ feature about 3 years ago, and was a bit miffed because they made me out to be a total numb nuts who knew nothing about studios, so that they could miraculously ‘change’ me. 8. What’s the most ridiculous request that’s been asked of you/the band? - Can you play something a bit less cool! 9. What do you think is the secret to a good working relationship amongst musicians? - You have to be having a good time else there’s no point, which I’m sure will show in the music. It helps if you’re a good bunch of friends too. Pretty much everybody in Vibratonic has known and hung out together for at least 10 years. Some of us have known each other for almost 20 years! 10. If you could have played on one song (that you don’t), what would it be and why? - Lee Fields & the Sugarman 3 - ‘Stand up’, because it’s the Funkiest song I’ve heard produced in the naughties. 11. How do you make the balance between music and personal responsibilities? - By never stopping - not even for a moment! 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? - I grew up adoring vinyl and people are missing out on the buying and playing records at home experience. Music has become too disposable. However, there’s loads of good music out there on the internet that would have never been released otherwise so there’s pro’s and cons. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? - Making decent music is my motivation, and I’m sure that can be said for the whole Vibratonic crew. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? - That’s fine - as long as they can keep the crowd happy and dancing they deserve whatever they can get. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? - De La Soul at the Oxford Zodiac - Oxford can never rock like that night again. 16. How do you overcome pre-gig nerves (if you get them)? - A few stiff ones. 17. When did you last write something? - Last night. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? - I don’t really have any expectations so have never wanted to - of course I’d like to become famous but I’m not expecting to. 19. What are your views on electronics muscling in and replacing live instruments during recording? - I like to record as many live instruments and people from the collective as I can in all our tunes. I don’t mind Virtual Instrument plugins being played with a real keyboard, and quite a few plugins get used in the Vibratonic songs. However, a track produced solely with virtual instruments just doesn’t sound as nice as when you get the real instruments and microphones out. You can get away with some, in moderation but that of course depends on what sound you want in the first place. 20. Lastly, thank you for your time. What made you agree to answer these questions? - We really like your website & the Funk mixes on myspace and are of course grateful for the exposure.
20 Questions You Didn't Know You Wanted To Ask...Bryn from Captain Hammond Ohhh you lucky funkers. It’s only ex-Mother Earth and now cosmic hero Captain Hammond LEGEND Bryn Barklam up next. I must sound like I always say this about people (cos it’s always true) but he’s a genuinely lovely fella too. Aiding hammond-commander Bryn in this mission to blow The Mechanauts away and keep us all out of the danger zone are his funky partners in crime Pete Collison (guitars) and Greg Boraman (drums) from the The Fantastics who we already love so you KNOW it’s quality eh?. Captain Hammond really deliver the goods on their album ‘The Origins of Captain Hammond’ and I struggle to pick a favourite from it as there’s no let up in the funk assault at all, that said ’Cosmic Candy’ shows just why so that’s as good a place as any to start. It’s the absolute cartoon equivalent of the dog’s bajanga’s people….and live they literally sound out of this world (intergalactic, even). Check them out here on myspace and then own this as soon as you can cos you need it children, the half man half organ may well have to save us all one day. Many, many thanks to Bryn for a fantastic read and sparing us some of his time, I’m off to search the internet for dodgy pics of side partings! Love n’ intrigue, TBC
1. How would you best describe what you do to the uninitiated? Super-Powered Organ Action!! 2. Where would you say you are with regard to your career right now? If my career was a week, I’d say I was in Friday afternoon. I’ve just had a great Thursday night and am now looking forward to a large weekend. 3. Which song (not neccesarily yours) best sums you/the band up and why? Almost Grown by Small Faces. I’m 5′ 5″ - that’s average height for a girl! 4. Who would you say has been your biggest inspiration (musically or otherwise)? When I was growing up my uncle Aaron was a huge influence on me. He was self taught and could play just about any musical instrument by ear. 5. Is there anyone amongst your influences that you think would surprise people and why? I’m really into the music of Akira Ifukube, who composed the soundtracks to many of the classic Godzilla movies. If his music’s good enough for the king of the monsters who am I to argue! 6. What are you most proud of? My two daughters, and the Captain Hammond album. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? I once went with Buzzcocks to a photo shoot for Levi’s and naively agreed to having a picture taken with my hair combed into a horrendous side parting. I dearly hope that never surfaces! 8. What’s the most ridiculous request that’s been asked of you/the band? Mother Earth were in the middle of a sound check at a college once when someone asked us to play “Black Velvet” by Alannah Myles. I was confused - did we look like we knew it? 9. What do you think is the secret to a good working relationship amongst musicians? Don’t interrupt someone in the middle of their solo. 10. If you could have played on one song (that you don’t), what would it be and why? The main theme to Star Wars by John Williams. Just imagine playing the Hammond with the London Symphony Orchestra! 11. How do you make the balance between music and personal responsibilities? I always wear headphones when practising at home. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Nothing compares to the experience of vinyl: the 12″ sleeve with the artwork in all its glory, maybe even a gatefold if you’re lucky! Maybe I’m nostalgic but I think the warm sound you get from a record is the best. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? While I am working on one part of a project I am planning what to do next. Ultimately this approach will lead to total cosmic domination. Nothing less is acceptable. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? As well as entertaining by playing great tunes people already know, DJ’s have a responsibility to select music that can educate the audience. That could be from a new, up and coming band, or an undiscovered gem that is rarely played. If they only play hits you might as well put on a compilation album. 16. How do you overcome pre-gig nerves (if you get them)? I do get a bit restless before gigs - often my hands get sweaty, which bothers me as I don’t want my fingers slipping into the wrong keys. In Mother Earth we used to just shout very loudly - worked every time! 17. When did you last write something? About a minute ago when I answered Question 16. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? I’ve never given up, just been stuck and not sure how to get out of a rut. At times like this my mate Greg Boraman has always been very encouraging and supportive which has helped tremendously. Besides, I could never really throw in the towel, I wouldn’t have anything to dry myself with. 19. What are your views on electronics muscling in and replacing live instuments during recording? You can’t beat the sound of a real instrument - you can get close but I like the little inconsistencies you get with a live instrument. 20. Lastly, thank you for your time. What made you agree to answer these questions? You bought me a virtual drink on Facebook, a gesture of generosity that cheered me up without giving me a headache. How could I refuse?!
20 Questions You Didn’t Know You Wanted To Ask…Mark A. from The GetUp! A nice little result for you funk fans. I was introduced to hammond whizz Mark from The Getup at The Jazz Cafe when The Soul Snatchers played and thankfully he agreed to indulge us with a Q&A. The good news is that The Getup’s new album ‘Life & Cafe Eric’ will be launched at The Yardbird in Birmingham on October the 18th so get along there if you can. They will also be supporting heavyweight newcomers Trio Valore at The Square in Harlow on October the 24th - and here’s the thing….if you buy your tickets here at The GetUp’s website you will be the proud owner of a free copy of the album on the night - now that’s got to be unmissable eh? As usual here is the link to The Getup on myspace where you can check them out for yourselves if you haven’t already (I’m feeling all of ’em but ’Tobys Pants’ and ‘Bighorn’ have me under the spell at the moment especially). A big, big thank you to Mark for a fascinating and insightful read and for being the first person to mention Sesame Street on here! Dig It! Love n’ sprinkles, TBC
1. How would you best describe what you do to the uninitiated?
2. Where would you say you are with regard to your career right now?
4. Who would you say has been your biggest inspiration (musically or otherwise)?
20 Questions You Didn't Know You Wanted To Ask...Dave Jay from Twisted Tongue I’m chuffed that next up is one of my favourite voices. Dave Jay continually inspires my lugholes since first hearing him singing for Andy Lewis. Apart from really diggin’ his own vocal contributions to those albums I also had the pleasure of seeing Dave perform some of them and stand in on ‘Are You Trying To Be Lonely’ when Andy played a solo gig just prior to releasing the second album. And (now don’t hunt me down people…) I thought it sounded better than Mr. Weller (honestly). What I’ve heard of the Twisted Tongue material is also outstanding and to be frank, pretty damn exciting in a mothership-funky-disco-bonkers kinda fashion. Mindbeam being one of those tunes you get withdrawal symptoms from if you leave it a week. I think the album will be a cracker and hopefully keep Dave singing cos I think his voice is fantastic - go and check it out here on myspace if you don’t believe me - you won’t be sorry! You can also check out some of his remixes here at Twisted Product (and yes Leleo my funky friend I’m still waiting for your answers…can’t get hold of you on your phone!). Right, gush over but it’s his own fault for being such a damn nice bloke with it! Many, many thanks to Dave for sparing the time to humour me and for letting you lot into his world. Enjoy! Love and mojos, TBC
1. How would you best describe what you do to the uninitiated? Well, to sum up, I spent most of the 90’s doing session work (singing, writing, remixes) for various labels and since then have been a member of the band Soul Hooligan (who were signed to Madge’s Maverick label for a very brief stint), have collaborated with Andy Lewis on his first two albums and have recently set up my own musical project alongside my partner, Mark Dalton, called Twisted Tongue. Acid Jazz should hopefully be releasing our first album later this year.
Perpetually up shit creek but have recently been handed a paddle or two! And I’ve gotta say I’m enjoying making music now more than I ever have in the past. Hopefully that’ll come across in the forthcoming album. But, to be honest, at this stage in my life I don’t really consider it a career anymore – it’s more just doing something I love in the hope it leads on to better things. If not, that won’t stop me doing it.
My favourite tune on the album is undoubtedly ‘Niagra Song’ – a real psyche soul epic and, although far from the strongest song on the album, it’s probably the one track that sums up my own musical interests and goals more than anything I’ve managed to produce in the past. Outside of that, one track that continues to shock and awe both myself and Mark is Venus Gang’s ‘Love To Fly’ from, I think, 1978 – it’s the last word in cosmic funkiness and we’ve tried to emulate its vibe many a time, to varying degrees of success.
Ooh, too many to mention – but here’s few that completely inspired me at various times in the past: Bernard Fowler (hands down the greatest soul singer of the past two decades), Junie Morrison (the ultimate journeyman), Robert Owens, Arthur Russell, Walter Gibbons, Norman Whitfield, David Toop (a simply amazing music historian), Trevor Jackson and, on the record label front, Dischord and ZE Records. Oh, and Betty Davis: ‘This Is It’ is surely THE most downright dirty, funky track ever made, don’t you think?
Well, those who have only ever heard my contributions to Andy’s albums may be surprised to hear that, as much as I love music from the ‘60’s and early ‘70’s, the period that I’m most in thrall to are the years 1978-1983: for me they represent a time when new genres were born, rules were constantly broken and so much cross-pollination was happening in music. A truly exciting time that has set the blueprint for all that has followed to this day.
Musically? I really don’t wanna keep mentioning ‘the new album’, as that can be a bit of a bore. But it is the first personal project I’ve been involved with that I can actually say I’m proud of. Believe me, I’ve done some right old shit in the past!
Well, having my eyebrows plucked and dyed for a photo shoot has to be up there! I looked to be in a perpetual state of utter surprise for two straight weeks afterwards! And I used to agree to a lot of stupid things when I was much younger and under the impression that just ‘coz someone claimed to be a manager, A&R guy, whatever, that they actually knew what they were talking about. Lesson learnt there, mate!
None so far. But I’m sure Eddie Pillar’s got a couple up his sleeve! Only joking – a small label they may be, but Acid Jazz has been great with us so far… they’ve made a few fair suggestions but, apart from that, have left us alone to make the music we want to make. That’s a definite rarity in my experience!
Creation, sedation and mutual ego massage.
Marcus Belgrave’s ‘Space Odyssey’ or any of Betty Davis’ tunes – I just would have loved to have been in the studio when they were being made.
I don’t - which is why my personal life is in such a mess!
Absolutely not. I’m no purist and I really don’t understand why someone thinks they’re somehow more of a music lover just ‘coz they’re willing to depart with £500 for an old dusty 7”. I mean, it’s not like the original artist would get to see any of that money. MP3’s have made a lot of rare music available to a wider audience, and that can only be a good thing in my view.
I rather embarrassingly left my preset gameplan in my back trouser pocket before chucking ‘em in a 50 degree wash back in ‘92. Shame, ‘coz it was a fucking cracker. I’ve just had to wing it since then.
I don’t think any DJ worth his salt really considers himself above the music he’s playing. That whole ‘superstar DJ’ thing was a real 1990’s deal that encouraged fame-hungry twats to get behind the decks in the hope that they’d soon be on the front cover of ‘Heat’. In another life these same people would have been just as happy presenting fucking CITV. But make no mistake – DJ’ing is an artform in itself. I’ve recently started up on the old ones and twos myself and I’m hopeless as shite! But I’ve been playing alongside a few other seasoned, knowledgeable DJ’s that have knocked me out with their ability – they’re juggling decks, CDJ’s, FX boxes, the works… these guys are truly putting on a show…
I’ve not actually done many gigs – but the most satisfying was probably the one I did with Andy Lewis last year at 93 Feet East. The backing band was STUNNING – full horn section, Hammond… lovely stuff. I spent most of the gig just getting off on what everyone else was doing – I wasn’t too aware of what I was supposed to be doing myself!
Two Cinzano’s and a beta-blocker. Works every time.
I wrote a lot of the Twisted Tongue album. Right now, I’m happy to give it a rest for a bit.
I did actually throw in the towel back in 2003 after I left Soul Hooligan – the whole Maverick thing was a bit of a disaster and the band were constantly bickering amongst themselves. The fun had gone out of it. So I spent a year managing James Sanger (who co-produced Keane’s first album) and, when that also didn’t work out, I decided to give up on music and tackle the dreaded ‘real life’. So I got myself a 9 to 5 and got on with it. Luckily, Andy Lewis had heard the cover of ‘Night Owl’ that I had done on Soul Hooligan’s album and asked me to do some vocals on his own project. I was wary at first, but Andy’s enthusiasm is very catching and I had a ball recording stuff in his front room. So it’s really down to him that I caught the music bug again. It’s a hard habit to kick.
No problem with it at all. I’ve heard some beautiful music made electronically and some god-awful shite made by ‘real’ musicians. And vice versa. It ain’t what you’re using, it’s what you choose to do with it that matters.
Vanity.
20 Questions You Didn’t Know You Wanted To Ask…Gianni from MothergrooveI’m right on this funky vibe. Mothergroove are a band that I just fleetingly checked out on myspace and then found myself drawn back to. There’s some really sophisticated tunes happening and it does put me in mind of everyone they list as inspiration but with something extra thrown in for good measure. I don’t know what it is but I like it. Check them out (click on the name) and you’ll see what i mean (they do a spine-tingling thang with ’Sexual Healing’ on ‘Superlove’ that’s a real melter). A very big thank you to Gianni! Love n’ flumps, TBC
1. How would you best describe what you do to the uninitiated? 2. Where would you say you are with regard to your career right now? 3. Which song (not neccesarilly yours) best sums you/the band up and why? 4. Who would you say has been your biggest inspiration (musically or otherwise)? 5. Is there anyone amongst your influences that you think would surprise people and why? 6. What are you most proud of? 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? 8. What’s the most ridiculous request that’s been asked of you/the band? 9. What do you think is the secret to a good working relationship amongst musicians? 10. If you could have played on one song (that you don’t), what would it be and why? 11. How do you make the balance between music and personal responsibilities? 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? 15. To date, what has been your most memorable gig (either as a performer or as a fan)? 16. How do you overcome pre-gig nerves (if you get them)? 17. When did you last write something? 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? 19. What are your views on electronics muscling in and replacing live instuments during recording? 20. Lastly, thank you for your time. What made you agree to answer these questions?
20 Questions You Didn’t Know You Wanted To Ask…Phil from Funkshone I was a bit slow in getting this posted but I’m glad to be able to bring you Phil from Funkshones Q&A now. A top bloke and an awesome player. I’ve now had the pleasure of checking Funkshone out live when they returned to the Jazz Cafe and they are funktastic, people. Hopefully I’ll persuade the rest of them to get on board at some point as they all have their own unique projects/stories. A mighty talented bunch as I mentioned before when Mike kindly gave us his insight. The Norway trip mentioned has now happened and I have attached some footage from the now up and running Funkshone youtube page. Have a look, there’s some crazy happening on a lake for starters. These guys are living it! Thanks again to Phil (and best wishes to you, your family and the imminent arrival). Love and nik-naks, TBC
1. How would you best describe what you do to the uninitiated?
I am the guitarist with UK funk sensation FUNKSHONE. Alongside that I also write and record my own material as well as running an Independent label (Well In Recordings) and an online radio station (Wired Up Radio)
2. Where would you say you are with regard to your career right now?
At the moment it’s a real exciting time, we’ve (FUNKSHONE) recently done a live session for Craig Charles @ BBC 6 Music, Done a couple of great shows at Camden’s Jazz Cafe and are about to take the funk to Norway… As well as completing our debut album…
3. Which song (not neccesarilly yours) best sums you/the band up and why?
We’ve got this new number called WIRED… It’s pretty much full tilt all the way… but it’s a real blast to play and it’s a clear indication what we can do when we’re firing on all 4 (or 9!)
4. Who would you say has been your biggest inspiration (musically or otherwise)?
I have to say my dad… He was always so supportive. Not only that, he introduced me to some great music as a child… People like Dizzie Gillespie, Charlie Parker, Oscar Peterson, MJQ, Coleman Hawkins loads more… Musically Hendrix. Probably an obvious choice for a guitarist but hey what the hell!
5. Is there anyone amongst your influences that you think would surprise people and why?
I dunno! Apart from the fact that I don’t listen to a lot of guitarists… but generally I think as musicians we’re influenced by certain things naturally, without realising it
6. What are you most proud of?
My son, Ashley. He’s my greatest achievement. Apart from that, being involved with FUNKSHONE, without a doubt.
7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?
Not as such no… but back in the day I wore some pretty outrageous costumes on stage thinking I was making an artistic statement!
8. What’s the most ridiculous request that’s been asked of you/the band?
It has to be the gig we got asked to do for 50 quid and free beer! I think it would have been about a 200 mile round trip or something! Yeah right!
9. What do you think is the secret to a good working relationship amongst musicians?
I think you need to be willing to see the big picture, you know. It’s like any relationship really. There’s always an element of give and take… it’s all about using your ears, if that makes sense?
10. If you could have played on one song (that you don’t), what would it be and why?
Definitely “I Believe To My Soul” by Donnie Hathaway… what a great soulful groove… I’d have made the tea just to be there when they laid that down…
11. How do you make the balance between music and personal responsibilities?
Like most musicians I know, I’m not sure I really do! My partner keeps me in check though!
12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?
I felt the same way about CD’s! Buying records was such a massive part of my childhood from a real early age and half the time I had no idea what I was buying! Yeah in a way it’s sad, but I think in another 10 years or so people will be discovering download rarities in the same way. You know. The stuff that wasn’t the single etc…
13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?
I’m not that tactical I’m afraid… How do you measure success anyhow? Obviously we’re in the business of selling records and playing to audiences, but for me it’s always been about the music, but a mans gotta eat!
14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?
I can’t pretend to know a great deal about DJ’s really to make an informed comment! There’s no denying there are some great ones out there, and they do a great job spreading the word. But there are also alot of dicks who think they’re actually bigger than the music. But there are dicks in all walks of life! I s’pose they’re a necessary evil!
15. To date, what has been your most memorable gig (either as a performer or as a fan)?
FUNKSHONE’s debut at The Jazz Cafe Feb 23rd 2008. We tore the roof off!
16. How do you overcome pre-gig nerves (if you get them)?
25 years of gigging has taught me one thing… you can never have too much loo roll!
17. When did you last write something?
I’m pretty much writing all the time to some degree, and I’ve got 2 or 3 things that I’m working on right now. The luxury of a studio at home!
18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?
Once or twice over the years, and although I never actually stopped playing altogether I did duck out of the “live” side of it for a couple of years until I was invited to sit in for a friends band. It was then that I realised how much I was missing it.
19. What are your views on electronics muscling in and replacing live instuments during recording?
From a writing and arranging point of view, it can only be a good thing. For example you have an instrumental section and you’re not sure whether to use brass or strings, it’s easy enough to dial up the alternatives and “audition” the sounds. I’m not worried by it. It’s a useful tool but that’s all. You will never replace “the real McCoy”.
20. Lastly, thank you for your time. What made you agree to answer these questions?
You asked me & you seem like a nice guy!
Cheers Philly
20 Questions You Didn’t Know You Wanted To Ask…Kutiman Kutiman is one funky experience! I really dig the vibe and you HAVE to check it out! I am starting to think Israel might be the new funk central. My top track is ‘Music Is Ruling My World’ cos it says it all. That and a few more are up on myspace to mull over but the album is a must folks! Thanks again to Boaz for helping things along. Love n’ spangles, TBC
1. How would you best describe what you do to the uninitiated? I do my best to express what ever i hear in my mind…i usually start with the drums .. when the drums work i jam on it with different instruments and eventually i edit everything to give it a reasonable structure … 2. Where would you say you are with regard to your career right now? Hopefully at the very beginning:) 3. Which song (not neccesarilly yours) best sums you/the band up and why? I cant really think of one…. 4. Who would you say has been your biggest inspiration (musically or otherwise)? I’m trying to get new inspirations (not necessarily from music) every day . I really feel that this is what keeps me alive . Just before i started to record my album i heard some James brown and Fela kuti records for the first time… its hard for me to say that this was my biggest inspiration but it definitely blew my mind far away.. 5. Is there anyone amongst your influences that you think would surprise people and why? I guess not … I discovered “classic” funk and groove music not long ago so most of my influences are quite obvious …James brown , Fela Kuti, King Crimson , The Meters , Soft Machine …… 6. What are you most proud of? I released my first solo album worldwide and I got a great response to it… a couple of years ago, before the internet took over, it seemed impossible from a rather isolated place like Israel . 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? no 8. What’s the most ridiculous request that’s been asked of you/the band? As a matter of fact i haven’t been asked to do anything ridiculous … i guess if someday I get more famous as an artist these kind of requests will start to appear .. 9. What do you think is the secret to a good working relationship amongst musicians? I’m not sure there is such a difference between relationships amongst musicians and any other kind of relationship … and unfortunately I don’t have the secret to a good one 10. If you could have played on one song (that you don’t), what would it be and why? I don’t really have any specific song that i would dream to play on… although sometimes when i listen to Fela Kuti I wish I was one of the many percussion players and I would play the simplest part like the clave that goes “click click …click click ” same thing for half an hour 11. How do you make the balance between music and personal responsibilities? In times when I work intensely on my music there isn’t such a thing as personal responsibilities ..:) To tell you the truth, I’m not really happy with the fact that I can spend weeks without eating properly or answering the phone or doing anything except music .. But i guess that as long as I don’t have a wife or children it’s ok 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Not really … no doubt that a vinyl looks, sounds and feels much better compared to any other format but eventually music for me is music and i don’t really mind in which format color or shape it comes as long as I can listen to it. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? My goal in life is to do whatever i want (art wise) and to be able to make a living out of it… as for the game plan ..i’d rather leave this to my manager .. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I’m not really familiar with many Dj’s but i had the chance to see some big names when they visited Tel Aviv (Dj food , Diplo ,Mark Hype , Cut Chemist ) and I definitely think they deserve all the respect they get… 15. To date, what has been your most memorable gig (either as a performer or as a fan)? My first live show in Tel Aviv with my “Kutiman Orchestra” band is definitely a gig i will never forget. 16. How do you overcome pre-gig nerves (if you get them)? I still get them and i hate it … from my experience the only thing that can make the pre-gig nerves go away is the gig itself. 17. When did you last write something? All the time 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Every once in a while i feel like I want to quit everything and fly to India 19. What are your views on electronics muscling in and replacing live instruments during recording? I have no problem with it . I even work on some electronic projects myself.. like i said , music to me is music it doesn’t really matter how its created. 20. Lastly, thank you for your time. What made you agree to answer these questions? thank u… The fact that I want to fly to India and I want to establish myself as an artist first :)) he he Honestly it really makes me feel great that people like my music and want to know all about it…
20 Questions You Didn’t Know You Wanted To Ask…DJ BlueprintIt’s a new week and the sun’s out funky people! We’re very lucky to be following The Soul Chef’s Q&A with another of my favourite bloggers DJ Blueprint from This Is Tomorrow . A fine musician in his own right and an endless font of funky tunes. He’s switched me on to a shedload of tracks along the way and I really dig ‘em! If you’ve not visited his site, then get over there as soon as you can cos you will not BELIEVE the contributors and mixes you’ll find! It’s also where I did my first guest selection which really helped spread the word and jump-start the visits on here, so I’m very thankful to Mike for that opportunity (and I think it’s a cracker…but then, I would!). Keep an eye out for our very own guest mix from DJ Blueprint in the future and be sure to check out This Is Tomorrow cos it’s a biggy folks and you’ll learn a lot by popping in! Many thanks to Mike for everything. Love n’ dibdabs, TBC
1. How would you best describe what you do to the uninitiated? i’m a dj, played sets in the uk, spain, france, germany and luxembourg so far. i started dj’ing in 2005 after playing drums in various bands. i’m also producing my own sample based music and present other people’s music i like on my blog called this is tomorrow. 2. Where would you say you are with regard to your career right now? luxembourg isn’t the best place to start a career in music, so i’m still at the beginning. even after doing it for 20 years… 3. Which song (not neccesarilly yours) best sums you/the band up and why? my favourite funk song: james young and the house wreckers - barking up the wrong tree. it represents everything i love about music. 4. Who would you say has been your biggest inspiration (musically or otherwise)? probably john coltrane. in my opinion, a love supreme is and always will be the best album in music history. 5. Is there anyone amongst your influences that you think would surprise people and why? i really like all kinds of music. it always depends on my mood. there’s just two types of music: good and bad. 6. What are you most proud of? just being alive. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? there are loads of so called managers or business people out there trying to tell you what you have to do or should do. but i’ve never listened to these people, maybe that’s why i’m still broke… 8. What’s the most ridiculous request that’s been asked of you/the band? as a dj, you get stupid requests all the time. can you play this or that… 9. What do you think is the secret to a good working relationship amongst musicians? you should always respect your band members and talk about everything. just like in real life. it’s better to work out things together. 10. If you could have played on one song (that you don’t), what would it be and why? as a drummer i have to say james brown’s the funky drummer. clyde stubblefield’s drums gave birth to so many great hip hop songs. 11. How do you make the balance between music and personal responsibilities? personal responsibilities always come first. although i love music, i think there’s more important things in life. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? i still remember where i bought every record in my collection. the last record shop in luxembourg closed in 1991, so i buy most of my records when i’m travelling. people are missing out on the whole experience of finding a record you have been searching for years. or discovering an amazing record you’ve never heard before. the smell, the feel, the dusty dollar bins, weirdos buying or selling records… 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? i do it because i like to do it. as a dj you get the motivation you need when you see the people having a good time. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? depends on the dj’s really. some call themselves dj’s, but all they do is play mp3’s. mp3’s are great but you’re no dj if you don’t have a record collection. people like kid koala take it to the next level by using turntables as an instrument, so i think it’s fair to see them as musicians. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? as a performer: when dionne charles of baby charles told me she never danced that much in her life. as a fan: herbie hancock and wayne shorter playing at an amphitheatre in barcelona. 16. How do you overcome pre-gig nerves (if you get them)? i don’t know why, but i never get nervous before gigs. i do what i do and that’s it. 17. When did you last write something? i’m writing this at the moment… 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? i stopped playing drums a few years ago because i was getting tired of rehearsing and most of all, paying huge amounts of money for a rehearsal room. now i have my own home studio and i can make music at any time of the day. 19. What are your views on electronics muscling in and replacing live instuments during recording? in the 60’s and 70’s you had people like sun ra and even james brown, experimenting with electronic instruments. but i think live instruments will always be a part of music. that’s why producers sample live instruments. 20. Lastly, thank you for your time. What made you agree to answer these questions? I really dig the right side of funky blog and of course to spread the word
20 Questions You Didn’t Know You Wanted To Ask…Vincent The Soul Chef
1. How would you best describe what you do to the uninitiated? I fancy myself as an armchair DJ, if there really is such a term. Basically I have been making mixtapes since 1983, first for family and friends, and now for the world thanks to the success of Fufu Stew. I can and have played a few live gigs over the years but I feel that I’m best known for the mixes I create. 2. Where would you say you are with regard to your career right now? Wishing that I could organise a heavy Funk night in my hometown of Baltimore as it is sorely needed… 3. Which song (not necessarily yours) best sums you/the band up and why? “Do Your Thing” by Isaac Hayes. The lyric tells the story in a nutshell: “…whatever you do, you’ve got to do your thing.” 4. Who would you say has been your biggest inspiration (musically or otherwise)? Besides the world’s most legendary cratediggers whose names are household words to most, I’d have to say that the many and various colleagues that I’ve met in the blogisphere provide me with the inspiration and information I so desperately seek when it comes to buying records. 5. Is there anyone amongst your influences that you think would surprise people and why? I’d have to say not particularly, although some people may be surprised to know that none other than Alex Trebek, host of the Jepoardy game show, is also an avid cratedigger. I would really love to be able to browse through his crates someday. 6. What are you most proud of? My ever growing collection of 45s… If I include all of my golden oldies reissues and stuff that I don’t play anymore, I’d have to say that I am the proud owner of about a couple thousand or so, and that’s only after about three years of serious collecting. I know it ain’t much to some, but for me, it’s something that I really am proud of. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? Yes. I quit playing the saxophone in grade school. I hadn’t discovered Jazz yet, but if I knew then what I know now… 8. What’s the most ridiculous request that’s been asked of you/the band? To play Milli Vanilli records at a gig that I did many years ago, knowing that no one would be interested in hearing them. While I did get paid rather well, I would have much rather filled the floor with the Acid House records that I was into at the time. 9. What do you think is the secret to a good working relationship amongst musicians? Communication. 10. If you could have played on one song (that you don’t), what would it be and why? That is a tough question to answer. If it were twenty years ago, I’d say it would have to be “Carolyn’s Fingers” by the Cocteau Twins. Why? I absolutely LOVE Liz Fraser’s vocal skills. I could see myself jamming with the band having the time of my life. As far as now it’s hard to say, but I could see myself playing some wicked guitar licks or organ riffs on a wide variety of Funk classics, that is if I could play… I really do regret giving up playing an instrument now. 11. How do you make the balance between music and personal responsibilities? My personal responsibilities make it possible to have the music I enjoy. It also helps that my future wife (we are getting married next week) understands and supports my obsession as long as it doesn’t interfere with those responsibilities too much. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Absolutely not. Speaking from personal experience, if it weren’t for the internet, I’d probably be listening to the prefabricated Pop records that basically sell themselves. I could speak volumes on this issue, but I’d only be beating a dead horse. 13. Do you think that success is your motivation and do you have a preset game plan for your music/the band? I could say yes, but being the humble individual that I am, if a small handful of people enjoy what I do then I am satisfied. I’m not even looking to make a living at it because I’d be doing it for myself anyway. For me, being able to share my work with people who are appreciative is an added bonus. As far as a game plan, I just keep looking for exciting music that will further enhance that satisfaction. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? That’s a fine line. Some say that a turntablist is not a musician because anybody can take a record and run a needle across it. I say it’s all in the presentation. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? As a performer, the two times I played 45s at the World Famous Asbury Lanes. Sharing the decks with DJ Prestige, Larry Grogan, DJ Bluewater and all of the other fine DJs of the Asbury Park 45 Sessions team was by far the most fun I’ve ever had doing what I love to do. As a fan, I’d have to say just about any of the twenty or so times that I’ve seen Gov’t Mule on stage were pretty memorable. Their stage show is by far the most beautifully ferocious thing I’ve ever witnessed. 16. How do you overcome pre-gig nerves (if you get them)? President John F Kennedy once said that the only thing we have to fear is fear itself… I find that if I jump into a gig or a mix head first that only good things can result. 17. When did you last write something? I used to write poetry some years ago and an occasional essay for personal enrichment, but sadly I haven’t done anything like that in several years. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Yes. In fact, just a few weeks ago I was contemplating the thoughts of shutting down Fufu Stew. Needless to say, I just couldn’t do it. Several of my colleagues persuaded me to continue, albeit on a somewhat limited basis for the time being. 19. What are your views on electronics muscling in and replacing live instruments during recording? I don’t feel that electronics are muscling in, especially with the revival of true Funk and Soul music and the musician’s use of conventional. sometimes vintage equipment. Electronic music does have its place in music history on so many levels however, so I must say that overall I am not opposed to it. 20. Lastly, thank you for your time. What made you agree to answer these questions? It was my pleasure. I agreed to this Q&A session because I was flattered at the fact that someone out there really wanted to know about how the Soul Chef was born. After all, I really am only an armchair DJ… {smile} Peace and blessings.
20 Questions You Didn’t Know You Wanted To Ask…Dionne from Baby CharlesHeads up funky people! Vincent the Soul Chef will be making a visit from the mighty Fufu Stew on Thursday with a fantastic guest mix and a Q&A! I know…you’re spoilt, but what the funk! Next up for the Q&A is Dionne from the seriously funky Baby Charles. Their debut album is sensational and the live experience really is out of this world. I’ve never seen anyone with as much energy totally command a room from the moment they walked into it, and then still somehow turn it up tenfold once they hit the stage. And what a voice…check them out here on myspace and get on the Baby Charles bus, baby! You can also check Dionne on the new single King Comforter by the best band around the New Mastersounds (click on the name, you know how this works now). Many,many thanks and funky vibes to Dionne! Love n' smiles, TBC
1. How would you best describe what you do to the uninitiated? 2. Where would you say you are with regard to your career right now? Right at the very beginning, hopefully. We never really expected to come this far so we are just enjoying all the positive things that are happening to us right now. 3. Which song (not neccesarilly yours) best sums you/the band up and why? Italian Spiderman, I think it speaks for itself. 4. Who would you say has been your biggest inspiration (musically or otherwise)? James Brown has had to have been the biggest influence for any funk band in existence or you are not playing funk 5. Is there anyone amongst your influences that you think would surprise people and why? Metallica. I don’t think people should be surprised though. 6. What are you most proud of? Baby Charles 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? I sure have – Dionne and its still out there so get hunting, I’m not giving you any clues though. 8. What’s the most ridiculous request that’s been asked of you/the band? To travel all the way to Scotland from Brighton for a gig, on a weekday and not get paid a penny. Are you kiddin’ me? 9. What do you think is the secret to a good working relationship amongst musicians? Having fun is really important, once the fun has gone its time for the band to split. 10. If you could have played on one song (that you don’t), what would it be and why? Any James Brown song, cause we would have played with the Godfather of soul 11. How do you make the balance between music and personal responsibilities? It’s the eternal struggle. I (Dionne) divorced my husband and I think this was possibly the best way. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? The sound quality on vinyl cannot be replicated and I know they are not as widely used but you can’t beat it. Go buy a record player everyone you won’t regret it! 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? I think it’s more down to luck and the music than judgement and planning. We are now planning our next album and we hope to have another single out later this year. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I’ve been in clubs dancing till 7.30am loving the music. These guys bring music you would not otherwise have heard, I’m all up for DJs. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Portishead 1993 (I think) Glastonbury. Mmmm it was very good. 16. How do you overcome pre-gig nerves (if you get them)? You shit a lot and sometimes become slightly irritable and panic a little. I have vomited once or twice as well. The best way to get rid of them is to just get on stage, the side effects disappear straight away. 17. When did you last write something? Today, I’m writing right now!! 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Yes. Years ago, I wasn’t well and just wanted to give it all up. The band wouldn’t let me go thank god. 19. What are your views on electronics muscling in and replacing live instuments during recording? We don’t do it personally but we’re not adverse to the idea, we like to experiment 20. Lastly, thank you for your time. What made you agree to answer these questions? Cause I’ve met you, you seem like a nice man and you asked me!
20 Questions You Didn’t Know You Wanted To Ask…Handsome HomelessHandsome Homeless from Watts, LA have some serious funk going on. Their dedication to ‘the funk’ should you need it can be found on their myspace player (check out ‘Shake It Like It Owes You Money’, it’s a belter). I really dig ‘em but know nothing about them so this is another education for me. Funktastic! Love n' doughnuts, TBC
1. How would you best describe what you do to the uninitiated? The only thing I call it is DIRTY FUNK! It’s the way it was when it started… Raw and Nasty real! 2. Where would you say you are with regard to your career right now? We havin fun. There aint no money but we havin fun. In 2 words, Groovin contently. 3. Which song (not neccesarilly yours) best sums you/the band up and why? HUBBIN N DUBBIN is what we all about. Just livin like we doin somethin in tha hood. 4. Who would you say has been your biggest inspiration (musically or otherwise)? The old cats like J.B., SLY, METERS, P-FUNK, stuff like that. 5. Is there anyone amongst your influences that you think would surprise people and why? One of our top cuts is THE BEATLES. They groove down! We was thinkin of havin fun FUNKin up THE WHITE ALBUM trak by trak! Tell me that wouldn’t feel good on yo eardrums!! 6. What are you most proud of? The music we makin. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? NO! We aint never sellin out to nothin. If someone pays for what we givin, we don’t need to regret nothin. 8. What’s the most ridiculous request that’s been asked of you/the band? Every time we ever played someone be screamin to Rap ova one of our FUNKY GROOVES! We let it go if we in the mood but brothas always pushin too far talkin about they gang bangin or they females they pimpin. That all played way out but everytime we play somebody wanta “SLAP THEY HO.” 9. What do you think is the secret to a good working relationship amongst musicians? I think it’s about clickin up on the same page. We finds so it aint too hard fo us to keep tha groove. 10. If you could have played on one song (that you don’t), what would it be and why? I got 2. YOUR ALL I NEED TO GET BY (MARVIN GAYE) and OOH CHILD (FIVE STAIRSTEPS) I’d play bass. That’s some smooth groove. 11. How do you make the balance between music and personal responsibilities? It’s all the same to me. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? DIG! I remember goin all the way to hollywood on the blueline train from COMPTON when I was a kid just to get a MILES DAVIS record that I heard about. That made the record so much mo valuable to a young brotha. Today some of tha little homies is lazy and they miss out on that hunt. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? No. We havin 2 much fun groovin. We’ll see if things go big but aint nobody beefin fo it. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I got a homie who makes bigga money than OBAMA scratchin vinyl! He good at it so people give him props. I think they silly but… 15. To date, what has been your most memorable gig (either as a performer or as a fan)? We was jammin at a party on Santa Ana and Graham at tha towers. Tha news came by and did some filmin. At that time, some GRAPES rolled on some essays hangin in K-MOB hood. Everybody runnin screamin but we kept on groovin. I didn’t hear it until they was done. Tha female what was reportin tha thing started cryin cause she was shocked by it. I never saw it on tv. 16. How do you overcome pre-gig nerves (if you get them)? I never get that way. 17. When did you last write something? Everyday. Just savin up to get into tha studio with some new cuts. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? I don’t remember anything like that. I like it too much. 19. What are your views on electronics muscling in and replacing live instuments during recording? I go by tha old saying that DRUM MACHINES HAVE NO SOUL. If you skin and bones, how can you groove SYNTHETIC!? 20. Lastly, thank you for your time. What made you agree to answer these questions? Ive always wanted a forum to address tha last question. I like talkin FUNK!
20 Questions You Didn’t Know You Wanted To Ask…Andy LewisRight, well I’m happy now. After much nagging and nudging I’ve managed to get Andy Lewis to stop working just for a minute. This is a real thrill for me as his 2 solo albums ‘Billion Pound Project’ and ‘You Should Be Hearing Something Now’ on Acid Jazz records are a mainstay of my collection and the closest thing in my opinion, that you’ll get to modern day northern soul (or at least the vibe). That said, there’s a lot more to them than that both influence and sound-wise, and the recordings boast an outstanding host of guest appearances and vocalists. If you (somewhat unbelievably) don’t recognise the name, Andy is the man who teamed up with Paul Weller last year to present us with a nifty little number and the best 45 to hit the high street in a very long time, the mind blowingly good ‘Are You Trying To Be Lonely’. He is currently playing some fantastic bass with Paul and features on his new album ‘22 Dreams’ which is at number one in the album chart (and it’s not everyday you get to say that!). He has been touring as part of Paul Wellers band and as such has made appearances on Later with Jools Holland and Friday Night with Jonathon Ross. Aside from this he is also a highly sought after and acclaimed DJ as well as being a member of the bands Pimlico and Spearmint (and is very probably involved in many other things either as a DJ or a musician but I honestly just can’t keep up). Check him out on myspace to hear some of his latest solo work and if you don’t already own his albums…you really,really should folks!. Thank you so much for sparing us some of your indisputably valuable time Andy! Love 'n whispers, TBC
1. How would you best describe what you do to the uninitiated? I’m a musician and DJ, currently playing bass for Paul Weller and the mind behind two reasonably successful solo albums for Acid Jazz records. 2. Where would you say you are with regard to your career right now? Right now I’m probably exactly where I want to be. I’ve a very busy year ahead; a world tour with Paul’s band, Spearmint’s umpteenth album’s in the can and due for release later in the year, my third album needs doing and my old band Pimlico is due in the studio soon to work on their second after a ten year hiatus. I’m also DJing fairly regularly at home and abroad when I’m not doing all that- the diary’s pretty full and the bank manager’s happy! 3. Which song (not necessarily yours) best sums you/the band up and why? It’s hard to think of one. “Top Of The Tower” from my last album pretty much sums up my various musical and cultural influences. Everything from Andy Ellison’s vocal through to lyrics mentioning early 70’s Chancellor Of The Exchequer Anthony Barber’s short lived property boom are set to a musical mash-up of dozens of bits of music you think you know. It’s the sound my brain makes… 4. Who would you say has been your biggest inspiration (musically or otherwise)? The crowd at the early days of Blow Up. I’ve never met such amazingly friendly and receptive people. All the music I make, I make with them in mind. Were I to go back in time with my new stuff back to 1993, they’d dig it! 5. Is there anyone amongst your influences that you think would surprise people and why? Slade. I absolutely love their album “Slade in Flame”, soundtrack to the film of the same name that I also absolutely love. That song “How Does It Feel” is beautiful… And earlier on they sported a Skinhead/Suedehead look that I emulated as a fan of 80’s popsters Boys Wonder. I’ve also got a soft spot for early Queen as well, in particular songs written by bass player John Deacon (who I apparently resemble, only with slightly less hair!) 6. What are you most proud of? Having a bona-fide hit single with “Are You Trying To Be Lonely?” last year. Silly little me recording for silly old Acid Jazz selling a silly quantity of vinyl and only losing out at being number 1 in the Indie chart to The White Stripes by a handful of sales. It’s also acclaimed by Weller fans as one of his best performances. Not bad for something mostly recorded in a bedroom in an East London flatblock. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? No… not really. 8. What’s the most ridiculous request that’s been asked of you/the band? I was once asked by someone whilst DJing at Blow Up if I had any Meat Loaf. Fortunately my dear friend Tony had just turned up with a bag full of groceries, so I was able to say in all honesty, “No, but I have got some malt loaf…” This was long before I had a copy of “What You See Is What You Get” by Stoney & Meatloaf (his earliest-and funkiest-record for Rare Earth records in about 1971). 9. What do you think is the secret to a good working relationship amongst musicians? Enough musical common ground so that there’s a selection of songs we all know that can be jammed about in rehearsal semi-seriously. Being able to mess about and come up with something that later ends up a classic pop song or in the set depends on this. It’s what I love about the Weller band- that version of “All You Need Is Love” that we do as an encore sometimes started out as a rehearsal room jam. 10. If you could have played on one song (that you don’t), what would it be and why? “Groovin’ With Mr Bloe” by Mr Bloe. The bassline, when it kicks in, is magical. So simple and effective. Brilliant! 11. How do you make the balance between music and personal responsibilities? Do you mean a personal life? Well, I think it depends on who you share your personal life with. If you’re lucky enough to be sharing your life with someone who supports you, helps you and inspires you then it’s very easy to keep the balance. I count myself very lucky to have a partner who does all of these things and a whole lot more. It’s hard to be a touring musician or DJ and have a conventional home life, but we’re not really conventional people and absence certainly makes the heart grow fonder (and the flat grow larger as all my gear gets packed up and taken away!) 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Definitely. There’s nothing quite like finding a dusty old record in a seedy old shop and getting it home to discover that your groove radar hasn’t let you down! These days, it’s dead easy to find out what other people are listening to and copy it. Having said that, it does make getting my music across to other people a lot easier. I’ve friends all over the world thanks to MySpace, and I sell a considerable number of records overseas. I’ve come across a lot of good music on the internet and have bought a lot of vinyl online. But you still can’t beat the thrill of feeling like you’re the only person in the world with a copy of something you found on a market stall somewhere. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? I’ve felt successful even when I’ve been selling no records and earning no money. That’s when the feeling counts. It’s the little victories that keep you going. Somebody mentioning to you that you’re playing the best music they’ve ever heard in a club, or telling you that some song you’ve written and recorded means something personal to them is a just reward for working bloody hard and keeping faith with your own musical taste and sense of self. My motivation is really to get all the silly little tunes and ideas that clutter up my brainbox out of my head and onto vinyl, or I’d explode. And also to tell the world about all the strange records I’ve discovered because they deserve to be listened to. The material things, and the “fame” bullshit stuff barely register as reasons for doing this, and for years there’s been no recognition and no money. I’m lucky to have a little of both now. I don’t need a lot, I’ve got simple tastes and I like being who I am…but it’s nice to be making enough cash to have some fancy threads and flashier equipment! That’s my gameplan such as it is- keep on keeping on! 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? Only DJ’s who acknowledge that they aren’t bigger than the music they’re playing are worthy of their fame. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Just the other day I was playing with Paul Weller’s band at the last night of a 3-night residency at the Hammersmith Apollo. Roger Daltrey joined us on stage for an impromptu (and unrehearsed) version of “Magic Bus”. Halfway through it, Paul comes up and whispers in my ear “Can you f*cking believe this, man?” That’s probably knocked Pimlico’s sold out show at the Dublin Castle when our singer came on stage wearing a Michael Portillo mask into second place… 16. How do you overcome pre-gig nerves (if you get them)? I don’t overcome them, they all but overcome me. But that’s not always a bad thing. Nerves keep you focused. A sense that you’re permanently on the edge of stuffing something up makes you concentrate harder on what you’re doing, so you don’t. Generally before a gig I’ll go for a walk, often quite a long one, just to save wear and tear on the dressing-room carpet. About a minute before stage time, I’d gladly hand my bass to anyone willing to take my place. But as soon as I’m up there, I don’t want it to stop. 17. When did you last write something? When I got this questionnaire I was working on a new tune. I’d just programmed the drums and had finished recording the piano part when I thought I’d check my emails… 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Towards the end of 2004 when I’d finished my first solo album but it hadn’t yet come out. I’d just taken a job as a roadie for an indie-rock band who’d just signed a mega-bucks deal with a major label. I was skint, surrounded by people who were younger and more successful than me playing gigs in front of hundreds of people who dug them and I thought that I might as well stop trying, sell everything and try and get a “normal” life. But I had one last DJ gig to do… that’s where I met my wife and basically it was her encouragement to keep doing my own thing that kept me going. I stayed as the band’s roadie for a couple of years though- they turned out to be really nice guys and if they ever need my services again I’d be glad to go out on the road with them any time! My fees have gone up a bit though… 19. What are your views on electronics muscling in and replacing live instuments during recording? It’s great. I’m like Les Dawson on the keyboards. Thank goodness for MIDI and ProTools. And we only live in a small flat. There’d be no room for us if we had to compete for space with a real Hammond, grand piano, harpsichord or Mellotron. Having said that, I’d always get a real Hammond player in if I could. Electronics and virtual instruments will never totally replace real ones, there’s a synergy you get when you sit at a real piano or a Hammond that you don’t get with a plug-in. Having said that, the Manekin-Elektronic GMBh Memotron (a digital Mellotron) is the most amazing digital instrument I have ever encountered. It has an authentic Mellotron sound but a feel all of its own. Beautiful to look at and to play. A musician who has mastered an instrument brings something extra-special to a recording session. I think my best stuff has been created when there’s been real people playing real things. 20. Lastly, thank you for your time. What made you agree to answer these questions? Your insistence that I should…!
20 Questions You Didn’t Know You Wanted To Ask…Mike from FunkshoneFirst things first… The G-Spot at The Pigalle is the place to be tonight (yet again) with Trio Valore, Funk’n’stein, Corrina Greyson and a whole host of others that you really don’t want to miss… so get down there and get your funk on! We’ve broken out the big guns for you this time around on the Q&A. I don’t even know where to start with this band cos Funkshone are an absolute sensation. Check out their 45’s and you’ll see what I mean. I haven’t had the pleasure of catching them live YET (they return to the Jazz Cafe Saturday the 14th) but I hear it just gets better and better. A mighty big sound from a hugely talented band (most, if not all of whom are individually involved in various other projects of note). Watch this space people cos this lot are the real deal and an album is on it’s way. Check out their myspace player if you don’t know them already and get your hands on some of this funk as soon as you can! Thanks to Mike for sparing us some time and giving us an insight into their world. Love n' momentum, TBC
1. How would you best describe what you do to the uninitiated? We make deep funk, akin to a freight train coming at you at full tilt! 2. Where would you say you are with regard to your career right now? A fair way in but I’ve still alot of ambition and hunger to do alot of different things in music, as have the rest of the band 3. Which song (not neccesarilly yours) best sums you/the band up and why? Wired by Funkshone. This is a new one from the new album. We are all playing on it and it has a similar energy to the first 45 purification. Plus look at the title; Wired! Says it all really!!! 4. Who would you say has been your biggest inspiration (musically or otherwise)? mmm tough one. For me I suppose people like Clyde Stubblefield, Bernard Purdie. 5. Is there anyone amongst your influences that you think would surprise people and why? Er…. Yes! Vangelis! I love the strings and the moods in his work (Bladerunner especially). Yeah it’s not funk but I appreciate sound in a very deep way, I like to think Im quite open minded with music. I also write across different styles and genre too! 6. What are you most proud of? Firstly my kids, leo and dexter. Wow is all I can say. But aside of such a big achievement I suppose making my way n to the industry on my own. I have worked very hard over the last 15 years and supported myself through my career, university etc, no parents bank rolling me!! 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? Been a bit over zealous at times but no real regrets; everything happens for a reason so they say… 8. What’s the most ridiculous request that’s been asked of you/the band? To bring an 8piece band to a show for £50 and free beer. Lesson 1 - free beer is fucking useless if you have to drive 200 miles after the gig!!! 9. What do you think is the secret to a good working relationship amongst musicians? Tolerance, understanding and standards. Get that balance right and you can reach for the moon! 10. If you could have played on one song (that you don’t), what would it be and why? Soul Drums by Bernard Purdie. Why?? Have you heard that tune??!! There is no why!! 11. How do you make the balance between music and personal responsibilities? With increasing difficulty but I didn’t get into this business thinking it would be 9-5 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Yes. Somehow it almost feels like you earned the music when you track a 45 or an album down. There’s none of that with the internet. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? Gameplan…Keep bringing the funk, I feel we have something different to alot of funk and soul acts so the plan is to develop that and keep in exciting for the band and it’s fans both live and on record. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? Folks like Jazzy jeff, craze Q bert etc are different because they are doing something more with turntables. Folks like ian wright, Malachi and Keb are educating people so these people are important. But… there are too many DJs now and alot of em are getting too big for their boots; I met some guy who says he’s a face in Ibiza a month or so ago at a recording session. He was amazed I didn’t know who he was!!! what a prick!! so in short, the answer is yes and no! 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Jazz Cafe debut Feb 23rd 2008. Wow! 16. How do you overcome pre-gig nerves (if you get them)? Don’t get em, I’m the fuckin daddy! 17. When did you last write something? 2 weeks ago for a dance project. But, I teach at a university so I write music every day! Happy days!!!! 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Yeah more than you know. But, on reflection, when you hear stuff out there that is poor but doing well you’ve got to question your motives in life, get back out there, and show em what you got! If you believe in yourself then you just need to be strong and see things through 19. What are your views on electronics muscling in and replacing live instuments during recording? Fair enough. There are many things electronic instruments can do that acoustic can not. It’s horses for courses really. I don’t feel threatened in anyway by electronica, in fact quite the opposite. It’s great to be able to write a piece for strings without having to remortgage the house to hire the london philharmonic! Let’s face it, as far as funk and soul are concerned, you aint gonna see too many laptops where the Dapkings and FUNKSHONE are concerned are ya??! 20. Lastly, thank you for your time. What made you agree to answer these questions? The five grand bung you promised me….
20 Questions You Didn’t Know You Wanted To Ask…DJ PrestigeOn with the Q&A series and what better way than with DJ Prestige, on a visit from the mighty Fleamarket Funk. It’s a bit of a coup for me personally that he’s agreed to do this as he’s another great blogging inspiration, Fleamarket Funk is choc-full of educational snippets, suprises and funky mixes and well worth a visit (but you must already know that). Get on over there when you’re done here and see what’s shaking his tree right now! You are definately gonna dig it! Love n' choons, TBC
I dig for out of print, forgotten, and under appreciated Funk, Soul, Jazz and Reggae records. I then review them at Fleamarket Funk and most likely include them on mixes which I give out for free.
I would say that it’s definately on the upswing. I’m at a place where I can choose to play gigs or not. I am known for a certain style, and for the most part, people like it. I do all the DJ stuff outside of a full time job, so it’s definately a juggling act. I make it all work though.
Roy Ayers Ubiquity: Life is Just A Moment. I say this because it is, so you need to enjoy it. I found that in my life, besides my family and friends, records bring me the most happiness. I’m grateful that I can combine the three and make it all work, and I do enjoy it.
My biggest influence I’d have to say are a combination of the actual people who were making the music I spin, their hard work and determination to do what they wanted to do at any cost is admirable, and DJ’s like DJ Shadow, Cut Chemist, Kool Herc, Pete Rock and all the original cats who paved the way for a digger and DJ like myself.
Most of my influences are from the music area, so I don’t think that anyone I mention would surprise people. Now if I said I was influenced by Wayne Rooney (I’m a Liverpool Supporter), then most of my friends would say I’m out of my head.
I’m most proud of the whole FleaMarket Funk package I put together: the writing, mixes, the DJ nights, and the small community of DJ’s and diggers that has come together from it. I know there are a lot of cats out there like me who appreciate this music, but have no means to get it. I’m fortunate that my secret spot is ‘vinyl rich’ and I can keep contributing to the record community, and hopefully make a big impact in the music blogging community.
Not really, I’ve learned even from the bad times. I’m finding as I approach 40, the experiences, as crazy as they were back then, have made me a better person.
When I was touring in a band (I was the DJ), we played in a strip mall. I thought, what major label band with a legit booking agent gets booked at a restaurant in Canton, Ohio?
Being honest with each other about what’s going on in the band. There’s nothing worse than thinking things are going great to find out you were dropped from the label 8 months prior and no-one told the band members. As far as the relationship I have with DJ’s I work with, honesty about the gigs and money up front are a huge plus.
If I could have played on one song it would probably have to be ‘Easin’ In’ by Edwin Starr. There is something about this record that moves me. I play it almost every gig at the beginning of a set, to let people know to get ready, because I’m about to drop a whole bunch of stuff on you. Stuff you might know, or might not know, but you’re gonna have a good time while listening to it.
It’s not always easy. Like I said, I work a full time job. I’m married, and my wife works opposite hours, so in a way that works for the writing and making mixes. I most typically will try to write all my reviews in a few days, so I can spend my time with my wife and our dogs. It’s a delicate balance, but it’s needed.
Absolutely. I mean I feel like I’m a kid, buying that Eric B and Rakim ‘Paid In Full’ 12 ” every time I find records at the flea market, thrift store etc. There is definately loss today, because you get instant gratification with a download. Before you got records, liner notes, great cover art that you could actually examine on an Lp, a tangible product. Times change though, and of course I download music and have an mp3 player, but 95% of the music I buy is vinyl. I’ll never stop that.
I do believe that motivation has a lot to do with it. I mean, for most weekends, I’m the guy getting up at 5 to get records before the next guy, while lots of people are going to bed then. I don’t really have a preset game plan, more like just roll with what’s going on. I know what I’d like to get accomplished, which is helping to get obscure and forgotten music back on the radar. i think I’m getting there slowly but surely. I’d eventually like to do an out of state or country DJ gig a month, so that’s a huge goal as well.
I believe that some are deserved. Guys like DJ Shadow, Cut Chemist, Z Trip, the original DJ’s like Grandmaster Flash and Kool Herc, DJ Premier, man they all deserve it. These fly by night dudes who get a Serato set up (not that there is anything wrong with Serato), and instantly have file of rare records that took me 10 plus years to get, I don’t think they deserve it. The people that put their time in, the ones that actually carried their record flight cases to gigs, dug deep in the field, and did it for the love and made a name for themselves absolutely deserve it. They’re furthering the art and also keeping this music alive.
While I was in a band, we played the Playboy Mansion, which was a cool gig. As far as just me, without a doubt it was opening for Bad Brains last year. they headlined a festival here in Asbury Park,NJ and I played a straight classic Reggae set before they went on. To have a band that you idolised growing up giving you props for the music you play was the biggest compliment I ever got.
I relax by either having a huge meal or just by breathing.
I write just about everyday. It’s absolutely necessary and therapeutic.
I did when I was in the band, I actually quit after 3 years on the road. I mean being in a band is hard, especially when you are not in control of your own destiny. That’s why I like DJing, I can control my own destiny, and do my own thing. Finding rare records and just good music that no-one else is spinning in my area keeps me going. I will never stop in that respect.
Being a DJ, and not very good at playing an instrument (although I really want to play the organ), I’m ok with embracing new technology. However, you’ll never be able to replace that vintage recording sound. Imagine James Brown done without the JB’s and just electronics, i mean it would have changed the face of sampling and music as we know today.
Anyone named The Beat Collector is alright in my book.
20 Questions You Didn’t Know You Wanted To Ask…Craig from Fred Leslie’s Missing LinkWho are Fred Leslie’s Missing Link? This is like the beginning of an episode of soap so try and keep up! Craig very kindly put me in the picture - ”The “Leslie” in “Fred Leslie’s Missing Link” is because of Leslie Overdrive. It’s me and my drummer (from Leslie Overdrive), Dave Wilkinson from Phat Fred and Paolo Negri from ‘The Link Quartet’. So it’s a combo of all the names”. Bearing in mind I’d already tried to contact Leslie Overdrive and sent feelers out to Phat Fred and co it seemed that this particular post was bound to happen and I’d learnt something before I’d even started with the questions (Dave Wilkinson also being a member of Fast3 ). Blimey eh? Seems obvious once you are in the know. As I said early on ‘you’re doing all the work for me’ and this introduction really has written itself. So a very big thanks to you Craig! Love n' lollipops, TBC
1. How would you best describe what you do to the uninitiated? Anything that makes you shake your hips… 2. Where would you say you are with regard to your career right now? I’ve only got 4 releases under my belt (with 4 more on the way) so I hope that I’m in the very early stages of my career. There are still too many things to mention that I still want to do, so I hope that I’ll be going for a long time yet. 3. Which song (not neccesarilly yours) best sums you/the band up and why? I seriously doubt that anyone can answer that question. But it is most likely something dirty and funky (or anything by anyone who has ever mentioned their star sign whilst introducing the band). As much as the whole zodiac thing is a big load of poo, NOTHING is funkier than telling people your star sign from stage!!! ” Craig…Leo…” 4. Who would you say has been your biggest inspiration (musically or otherwise)? Frank Zappa is my all time musical hero, even though he has got nothing to do with the music that I do. But he is without a doubt the one person who has single handidly inspired me the most (and still does to this day). 5. Is there anyone amongst your influences that you think would suprise people and why? I listen to all kinds of music, but I don’t think that there are many big suprises when it comes to who influences the kind of music that I klike doing. That’s pretty straight forward, anything with a dirty groove. 6. What are you most proud of? I’m quite proud of everything I’ve done musically, but at the moment it must be the 8 tracks that I just finished with Fred Leslie’s Missing Link. Since the 4 of us live in 3 different countries it has been a lot of work to get everything coordinated, and having never met any of the 9 singers that are featured on the tracks, it has been a rather complicated affair. But everyone has really worked hard and I’m really excited to get the tracks out there. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? The only thing that comes close to being something that I’ve regretted is the amount of we’ve played for free just to get gigs. But I don’t really regret that. If you want to play gigs and nobody knows who you are then you have to let them know somehow, and gigging is the best way to do it (whether it’s a paying gig or not). 8. What’s the most ridiculous request that’s been asked of you/the band? HA! We have done quite a lot of clubs gigs with ‘Leslie Overdrive’ that weren’t specifically ‘Leslie Overdrive’ concerts. So the people who showed up for those gigs didn’t necessarilly come to see us, but just came for a night out. So we’ve had every request you can imagine from Robbie Williams to AC/DC (but on the other hand, we have covered some strange artists, so they weren’t too far off). 9. What do you think is the secret to a good working relationship amongst musicians? All the people I work with are also my very close friends, so I see my relationships with them more as a friendship than a professional relationship. But having to work recently with a lot of people who I’d never met personally, I found that as long as you are real and genuine towards people you will get the same treatment in return. 10. If you could have played on one song (that you don’t), what would it be and why? ‘The Ghetto’ from Donny Hathaway’s album ‘Live’. 12 minutes of pure groove that ends with everybody singing along at the top of their lungs…Still gives me shivers every time. 11. How do you make the balance between music and personal responsibilities? I don’t think I have a balance…When I’m in the middle of a project I tend to put everything else on hold. It’s a bit selfish but I’m lucky enough to be surrounded by very tolerant people who understand how things work. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Definately!!! I’ve never really caught on to the whole ‘buying music online’ thing. There is nothing I enjoy more than having albums physically. I can see how easy and convenient it is to just go online and two seconds later you have bought the track you wanted, but I much prefer to have it in my hands. Plus coming from a design background (being an animator by trade) I think that covers and packaging play a big role in the experience of it all. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? Success plays no part whatsoever in what I do. If it did I probably would have chosen a genre that was a bit broader than funk, cause let’s face it, there aren’t too many funk tracks in the top-10 today. But on the other hand I like the idea of selling one record to a diehard funk fan than selling millions of copies to people who will forget it the following day. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I actually do think it’s deserved. I have a great deal of respect for DJ’s. If it wasn’t for people like ‘DJ Shadow’, ‘Cut Chemist’ etc. digging up obscure rare 45’s, I would never have heard of some of the tracks I love today. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? As a performer it would be the very first gig that I played with ‘Leslie Overdrive’. We played a tiny little club in Copenhagen that could fit around 50 people. We were all squeezed together in a corner with all our gear and had no idea what to expect. But it turned out to be packed all the way out into the street with people shaking their stuff. And since we were stuffed into a corner, only the people right in front of us could see us, so everyone else was partying where they were. I love playing gigs when people just dance without paying attention to us. I’d much rather have them dancing with their backs to me, than standing still watching the show. 16. How do you overcome pre-gig nerves (if you get them)? I’m a bit embarrased to say that I get the pre-gig shakes before every gig. It’s not as bad as when I first started gigging, but they are definately still there. I’m always dead nervous before a gig, but as soon as we hit the first mark and people start grooving along they all magically disappear. i think it’s a good thing, it makes you go out and give it your all every time. 17. When did you last write something? I have a really hard time sitting down and writing something. All of our songs come from sitting down and jamming things out. But when I get a riff or lick into my head that I don’t want to forget I always hum it out loud and record it on my mobile. But 9 out of 10 times when I get something in my head, I’m always in awkward situations, like on the bus, in a shop or just somewhere crowded, which makes it a bit hard to record without making too big a spectacle of myself. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? There are always points when doing projects, whether it being recording an album or arranging several gigs in a row, when you get a bit tired of all the hard work. But you always know that the end result always is worth it. 19. What are your views on electronics muscling in and replacing live instruments during recording? I don’t think that digital music will ever replace analogue. I like electronic music (although some of it can make me feel ill). I don’t see it as one replacing the other, it just opens up the possibilities for what people can do. Personnally I (obviously) enjoy ‘live’ concerts more, but if an artist can get what he wants to do done by sitting alone in front of a computer, then more power to them. 20. Lastly, thank you for your time. What made you agree to answer these questions? Anything to promote the funk baby, anything…
20 Questions You Didn’t Know You Wanted To Ask…Damon from Trio ValoreIf you get the chance tonight check out Futurebeat Radio. On the Fajita Funk show between 8 & 10 there will be a guest mix from The Beat Collector (which I will also post a download link to here at a later date). This time around with the Q&A it’s the turn of Trio Valore. For those of you that don’t know the name, the band consists of members Damon Minchella, Steve White and Seamus Beaghen. All familiar members of Paul Wellers various band line-ups! I don’t really need to add anything to that as I’m sure you’d agree, the pedigree speaks for itself. Damon was kind enough to spare us some time and give us his answers and describes his role in the band as ‘Bass and decisions…..’ Love n' live radio, TBC
1. How would you best describe what you do to the uninitiated? I play the bass guitar in a band called Trio Valore.Simple really ! 2. Where would you say you are with regard to your career right now? career ? Musicians who think of making music as a career really should get out as quick as possible as this is not a job/career, its a way of life…… 3. Which song (not neccesarilly yours) best sums you/the band up and why? The song that best sums me up? easy one-Guerilla Radio by RATM (” move for Gore or the son of a drug lord, none of the above, fuck it cut the cord…lights out!”) 4. Who would you say has been your biggest inspiration (musically or otherwise)? Zapatisita revolutionaries of Chiapas in Mexico, Pier Paolo Pasolini, Fabrizio De Andre, Zack De la Rocha, Umberto Eco, John Paul II, Charles Mingus, Buddy Rich, Thelonius Monk………………………….. 5. Is there anyone amongst your influences that you think would surprise people and why? All of them because they aren’t what you’d expect….. 6. What are you most proud of? My family and friends 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? Never becasuse i’ve never sold out on any level, but most of the people i’ve worked with have unfortunately…. 8. What’s the most ridiculous request that’s been asked of you/the band? To play at the Montreaux jazz festival for 600 euros…… 9. What do you think is the secret to a good working relationship amongst musicians? Easy! trust, love, friendship, lack of ego, humour, humility…pretty tough to find !! 10. If you could have played on one song (that you don’t), what would it be and why? Rebel Without A Pause by Public Enemy because for me, it..s the most important 5 mins of music ever 11. How do you make the balance between music and personal responsibilities? ask my wife ! 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? No, because if a person REALLY likes going to a shop when its pissing it down and the bus is late and they are hunover with a broken leg, then they will find a way….personally i’m all for change 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? HA ha!!!! my motivation musically is to blow my own stack off with what i do…if you achieve that, then everything else follows 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? Totally, if the public dig em , they dig em…..simple as 15. To date, what has been your most memorable gig (either as a performer or as a fan)? Glasgow SECC october 1999 ( ocs) and Live8 with the Who….. 16. How do you overcome pre-gig nerves (if you get them)? Dont get em…. 17. When did you last write something? Yesterday, writing some music for an upcoming english film… 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Yeah, a few times and i’ve still got the towel in my hand just incase 19. What are your views on electronics muscling in and replacing live instuments during recording? Well, they can’t muscle in on their own can they ? if people wanna use em ,then go for it. Personaly i use a shedload of samples in some of my stuff so am cool with all ways of making music….only people with blinkers bang on about such stuff 20. Lastly, thank you for your time. What made you agree to answer these questions? Because you asked nicely!!!!
20 Questions You Didn’t Know You Wanted To Ask…PremaThe crazy world of Planet Mondo will be dropping by with a monster mix on here for you Friday so keep ‘em peeled you lucky people. Now with the questions it’s the turn of the delightful Prema (click on her name to visit her website when you are done reading). It’s hard to find the words that even begin to do her voice justice so I won’t try, and let you all go and find out for yourselves. Trust me you won’t be dissapointed. Her songs are fantastically enchanting, sophisticated and a real find! Check out ‘So Right’ if you don’t believe me, I was instantly hooked. It’s not often you get to hear anything as cool as this so be sure to check out some of her tracks on myspace as well! Love n' style, TBC
1. How would you best describe what you do to the uninitiated?
2. Where would you say you are with regard to your career right now?
3. Which song (not necessarily yours) best sums you/the band up and why?
4. Who would you say has been your biggest inspiration (musically or otherwise)?
5. Is there anyone amongst your influences that you think would surprise people and why?
6. What are you most proud of?
7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?
8. What’s the most ridiculous request that’s been asked of you/the band?
9. What do you think is the secret to a good working relationship amongst musicians?
10. If you could have played on one song (that you don’t), what would it be and why?
11. How do you make the balance between music and personal responsibilities?
12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?
13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?
14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?
15. To date, what has been your most memorable gig (either as a performer or as a fan)?
I tend to get a little nervous a couple of days before the gig. However by the time the gig day arrives, there’s too much on to get nervous – sound checks, getting makeup + hair done, warming up vocals, tuning guitars all those kind of things. However around 15 minutes before I get onstage, I get really impatient and just want to be up there doing my thang already – so maybe it’s nerves masquerading as impatience! . 17. When did you last write something?
18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?
19. What are your views on electronics muscling in and replacing live instruments during recording?
20 Questions You Didn’t Know You Wanted To Ask…The FantasticsIt’s the turn of the aptly named The Fantastics. Formerly known as Rev. Cleatus And The Soul Saviours, the band is the sum of the following parts - James Rule (drums), Ray Hunter (bass), Greg Boraman (Hammond), Mark Norton (flute / sax), Matt Wilding (percussion / congas) and Pete Collison (guitar). Pete and Greg (along with ex-Mother Earth keyboardist Bryn Barklam) also make up two thirds of the hammond-led powerhouse that is Captain Hammond. The Fantastics are currently putting the finishing touches to the follow up to their funktastic debut album ’2lbs of Funk In a 1lb Bag’. They’ve also got a couple of gigs coming up on the 16th May at Cargo in London and the 17th May at The Yardbird in Birmingham. Check them out on myspace and if you dig ‘em, go and see ‘em! Love n' chews, TBC
James: I play drums .. They are wooden things with the odd bit of chrome on them with plastic covering them that make all those loud noises singers despise
Pete: Just got out of bed.
Pete: Layin’ In The Cut by Lonnie Smith… Not sure exactly why - it just seems to sound right and I like it a lot, just like the band…
James : Bernard Purdie, Clyde Stubblefield, Haircut 100 and The Who
Pete: Peter Cook, but maybe that’s not a surprise anyway..
Pete: My cat
James: Plenty, luckily the people were bribed easily
Matt: Play something we know, like ‘Soul Man’
Matt: Not rehearsing with them.
James: Any Headhunters or Meters track - because they are so good 11. How do you make the balance between music and personal responsibilities? James: Ignore all responsibilities and they are all therefore balanced by default
James : Russian internet illegal downloading scum .. yes some of my tracks can be bought for as little as 10 cents or whatever and I really really get to see any of that
James: Have a good time all of the time
James: DJ’s are similar to bands - some are good some are shit. As long we know more of the good ones I don’t mind
Pete: probably the Paris Rare Groove Day last year, everything was just about perfect on that one - and the first night supporting the Godfathers of Groove
Matt: Don’t really get them any more.
Matt: Apart from this?
Pete: No - not seriously anyway, I love it too much, and wouldn’t know what else to do with myself.
Matt: None really - luckily for me there aren’t any convincing digital conga sounds.
Matt: I haven’t agreed to anything
20 Questions You Didn't Know You Wanted To Ask...Larry from Funky16Corners The master himself has stepped up with some answers and an awesome mix. An inspiration to all bloggers and funky soul lovers alike, the Funky16Corners site is a must visit. I genuinely learn something everytime I drop by. He also runs an equally excellent blog at Iron Leg so click on over and check it out when you are done here! Thanks again Larry, you’re a gent! Love n' legends, TBC
1. How would you best describe what you do to the uninitiated? For the last 25 years I’ve collected, listened to, researched and written about music, in fanzines, newspapers, web zines and blogs. 2. Where would you say you are with regard to your career right now? I see what I do with the blogs as more of an avocation than a career (good thing because it generates no money). My “career” aka the job I’ve worked at for 23 years is what gives me the funds to chase records the way I do. 3. Which song (not neccesarilly yours) best sums you/the band up and why? ‘Get It While You Can’ by Howard Tate 4. Who would you say has been your biggest inspiration (musically or otherwise)? My father, who taught me to appreciate music, and the stories behind the songs. 5. Is there anyone amongst your influences that you think would surprise people and why? 6. What are you most proud of? My children. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? No. 8. What’s the most ridiculous request that’s been asked of you/the band? One night, in the midst of two very long sets of soul and funk someone walked up and requested a KISS record. 9. What do you think is the secret to a good working relationship amongst musicians? Similar creative and practical goals. 10. If you could have played on one song (that you don’t), what would it be and why? ‘Pass the Hatchet’ by Roger & the Gypsies. THOSE DRUMS! 11. How do you make the balance between music and personal responsibilities? I have two small kids, so there are a lot of personal responsibilities but once you prioritize and divide between necessity and luxury (not always what you’d think) you just try to balance the two. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? In some ways, internet/downloading probably makes it easier to discover older music (since commercial radio is pretty much dead), but I also think that torrent sites and blogs that rip and post entire albums remove a lot of the real interesting aspects of the ‘game’. My goal has always been to get people to look deeper and to appreciate the often overlooked connections (artistic, cultural, historical and otherwise) in the music they listen to. Offering music to download without some kind of context seems like a waste to me. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? The kind of success I want is first and foremost creative. As long as the readers of the blog (and the people I spin for in person) get a lift from the music, or use something I’ve written to explore an artist or genre further, I’m happy. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I think a truly great DJ is should be first and foremost a tastemaker of sorts. Someone with deep (literally and figuratively) crates and good taste ought to be able to rock a crowd. Listening/dancing to someone selecting and spinning records is certainly a different experience than seeing a band play live (or it ought to be), but they can both be rewarding. 15. To date, what has been your most memorable gig (either as a performer or as a fan)? As a DJ, I opened for the Budos Band in Brooklyn last summer on a very hot night to a very receptive crowd. The Asbury Park 45 Sessions nights – with a very solid DJ crew led by DJ Prestige – are always a gas. 16. How do you overcome pre-gig nerves (if you get them)? No problems there. 17. When did you last write something? This afternoon. 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? There have been a couple of times where home and work responsibilities (and stress) got to the point where I briefly considered stopping the blogs, but I realized that no matter how much work I put into the blogs/DJing, I get a tremendous amount of enjoyment out of the experience as well. 19. What are your views on electronics muscling in and replacing live instruments during recording? Don’t like it. 20. Lastly, thank you for your time. What made you agree to answer these questions? Always up for making a new mix and spreading the word.
20 Questions You Didn’t Know You Wanted To Ask…Alviz from Lefties Soul ConnectionNext up for the 20 questions is Alviz from the sensational Lefties Soul Connection. Having firmly stamped their mark on the world of funk and as they are one of my favourite current bands, I’m made up to be able to share this with you. I wont gush too much but if you aren’t familiar with their music I’d address that immediately. Things don’t get much more on The Right Side of Funky than this! Thank you to Alviz for sparing us his time. You can check them out at their website, on myspace and of course anywhere that sells good music! Love n' choc ices, TBC
My name is Alviz, Hammond organist of the band (also doing some percussion and background vocals).
I don’t know. It’s hard to know where you are if you’re in the middle of it (at least, I think we’re in the middle now :)). 3. Which song (not neccesarilly yours) best sums you/the band up and why?
4. Who would you say has been your biggest inspiration (musically or otherwise)?
5. Is there anyone amongst your influences that you think would surprise people and why?
7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?
9. What do you think is the secret to a good working relationship amongst musicians?
Yes and no. I think you have to see an album/song as a promotion tool nowadays. People discover your music more easily because of the free downloading. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? I don’t know if we have ’success’. Depends what you mean by that. We’re still a very uinderground band and have to work hard to pay the bills. We don’t have a ‘hit’ or anything :). But we have succes if you define it that we have fans all over the world and that you can get our records in a lot of countries. Also we play in a lot of the European countries. We have not a detailed preset gameplan. We’re not made up by a record company etc. But of course we talk about the future and we think about how we can reach our public (promo/gigs/image etc). 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? Just talked about this with a guest dj I had last night at my party Struttin in Amsterdam (www.struttin.nl). In Amsterdam its getting worse and worse. I’ve got a second night on Wednesday I organize with live music being played by great bands and special appearences (www.hipdrop.nl). The live part is from 10 till 12 am and afterwards there are dj’s. More people come after 12 am because they just want to dance on records played by a dj. 15. To date, what has been your most memorable gig (either as a performer or as a fan)?
Not really. We’ve got some ups and downs but we straighten it out and carry on. We still think we can grow and make some good music. 19. What are your views on electronics muscling in and replacing live instuments during recording?
20. Lastly, thank you for your time. What made you agree to answer these questions? Promotion baby, spreading the gospel!
20 Questions You Didn’t Know You Wanted To Ask…Number 9 (The Vinyl Selector)An all round fantastic character is first up to answer the questions over here. Number 9 gives off an amazing and energetic vibe as you will see for yourselves. A musician in the band Penelope and a fantastic Dj in his own right. You won’t be disappointed. As well as that, you really must check out his myspace player and dig his groove! Love n' that, TBC
1. How would you best describe what you do to the uninitiated?
Since I was a teenager I’ve loved to listen to music and especially all that is turning around the MOD SOUND. Quickly I listened to a lot of music and played some bass in french mod bands. And all of those things made me want to give pleasure to people by making them dance and have fun at partys as a DJ.
2. Where would you say you are with regard to your career right now?
I don’t like to talk about ‘career’. I don’t see music like that. It’s just for fun but in a professional way.
3. Which song (not neccesarilly yours) best sums you/the band up and why?
What a difficult question. I can’t answer with only one song but…if I had to choose one I will say one of Nino Ferrer’s songs called Alexander but played by the german band The Boots. It joins what I like - french sounds and groovy hammond things.
4. Who would you say has been your biggest inspiration (musically or otherwise)?
I’m very inspired by movies and contemporary art like Ne nous faschons pas and Erotissimo (French movies) to Phillipe Parreno or Wim Delevoye and Christian Marclay’s works. And of course, lots of music but essentially stuff with some hard groove, great organ, drums and bass playing.
5. Is there anyone amongst your influences that you think would suprise people and why?
Yes, of course. But in particular a french funny band called Les Charlots. You know they were so stupid they make me laugh. And they play some sensational sounds too!
6. What are you most proud of?
Lots of things in life of course, but in music to play in different places and with some great bands that I was a fan to before. Like Brian Auger and the James Taylor Quartet. And I was so proud when those two guys came to see me behind the decks to congratulate me for what I’m doing!
7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted?
Yes. To sell some of my records HAHAHAHAHA!
8. What’s the most ridiculous request that’s been made of you/the band?
Oh yes, you know when someone comes to see you behind the turntables at a mod party you know, have you got some Abba? AHAHAHAAH
9. What do you think is the secret to a good working relationship amongst musicians?
I think between the musicians and between the Dj’s too, the secret is not to be too proud of what you do. If you do that, it’s not for success it’s for fun and to share with people to make them happy.
10. If you could have played on one song (that you don’t) what would it be and why?
Another great difficult question. I will say all the Corduroy stuff.
11. How do you make the balance between music and personal resposibilities?
Sometimes it’s hard but I have one thing that is important for me. I don’t accept too many dates because you bore people. And music doesn’t pay me, I have to live so the choice is easy sometimes. Ahahahaha. But one thing is sure - music is always in my life and everywhere.
12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience?
I think the problem is not with the fans, the problem is with the industry of records. They make the cd, they made it too expensive. I think they don’t ask the good question of the law, they just want to win more money. Personally I prefer to buy some little company records and sometimes download some old stuff for my car.
13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band?
Oh no, really no. I do that for fun, sharing my passion with people makes them happy and dance. HAVE FUN
14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved?
I think it depends, but as I say everytime because I’m also a musician, I don’t have to be proud to make people dance with the bands stuff, they are really the men to support.
15. To date, what has been your most memorable gig (either as a supporter or as a fan)?
My most memorable gig! Let me think, MAYBE the James Brown one when I was younger and I saw him in my town Avignon. It was sooooooo energetic, I loved that. And as a DJ, maybe the first time I played and made people dance with my selection. It was in Paris a long time ago and it was amazing. And as I think about that, one of my dates in Manchester was really great too.
16. How do you overcome pre-gig nerves (if you get them)?
At this time I don’t have any. LOL
17. When did you last write something?
As a musician it was a week ago and as an artist in the last hour.
18. Have you ever reached the point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)?
Oh yes, of course. It was when some of my old friends got me away from the band. I was saying that I will never find another band like that, but I met some new people and that was a new beginning, and that’s what makes me want to play my records and continue my passion for being on stage.
19. What are your views on electronics muscling in and replacing live instruments during recording?
Holy Flypaper (like Robin said to Batman). It’s a shame to me. Electronics give all the musicians an easy way to record stuff and promote themselves and that’s great, but Ipod battles, CD spinning Dj’s, false gigs with two guys behind a computer on stage, makes me sick! I love vintage instruments, vinyl records with some great covers.
20. Lastly, thank you for your time. What made you agree to answer these questions?
Because you’re a great guy and that you want to share your passion and I think like you sooooooooo, we have to support each other in that incredible world of mod music. To conclude - LISTEN TO MUSIC, HAVE FUN, SHAKE YOUR BUTT and come and listen to my monthly selection on myspace or listen to my band Penelope.
BE SEEING YOU
Number 9
THE FOLLOWING ARE ALL CULLED FROM WHAT WAS THE MODERNIST FLAVOURED BLOG... 'HERE COMES THE NICE' APOLOGIES TO ADRIAN HOLDER, GROOVY UNCLE AND RICHARD FROM THE FIVE ACES (I am hunting down the hard copies and will post a.s.a.p, if anyone copied them and can help me out I'd be much obliged!) Contact The Right Side Of Funky
20 Questions You Didn’t Know You Wanted To Ask…Rinaldi Sings Thanks to the heads up from Billy on the Adrian Holder post it came to my attention that another member of Here Comes The Nice favourites The Moment would be a good port of call for a Q&A. I’ve no idea why it didn’t occur to me before, but as it happens it’s turned out to be perfect timing. Steve Rinaldi answers his 20 Questions, to tie in with the release of the second Rinaldi Sings album ‘Bingo’ on Tangerine Records, which is out on August 4. If you don’t know the first album ‘What’s It All About?’ , it’s definately worth checking out and Adrian’s own solo album ‘Whistleblower’ is in the blocks and ready to roll. It’s a good time all round for fans of the Mod Gods ! Many thanks to everyone that helped this along, especially Steve of course, for a great insight into his world. You can check out some Rinaldi Sings tracks by heading over to the ever helpful myspace or clicking the album above and listening on last fm. You may also be interested in the new download selection I’ve posted over at the mothership The Right Side Of Funky (Button Down Funk) as it’s the kind of thing I consider to be the soundtrack of the modern day mod (that’s my opinion, let’s not go there). Now reach for your firemans helmet and read on… Love and peardrops, TBC
“Now that’s a tough one. I only ever wanted to make the kind of music that I wanted to listen to myself, but I do have very eccentric tastes. I once heard a television scriptwriter talking about ‘Dad’s Army’, saying that if you set a situation comedy in a bygone era, it never dates; it never goes out of fashion. That’s how I wanted Rinaldi Sings to be.” 2. Where would you say you are with regard to your career right now? “I think I’m kind of where I want to be, living in my only strange little world of violins and trombones. When we started Rinaldi Sings, my manager set out with the grand plan to make me a cult – well, that’s what I think he said. I’m just happy to be making the kind of music I love. I spent so much of my career as a musician playing other people’s songs, whether it be in The Moment or in West End musicals, and I never had the confidence to imagine there might be people out there who would like my own songs and share my eccentric tastes in pop music. I’ve been very lucky as we had great reviews in the music press for the first album and I just hope that ‘Bingo’ is received in the same way.” 3. Which song, not necessarily yours, best sums you up and why? “Without a doubt, ‘Mr Rainbow’. It was a song written by Mark Wirtz to be a part of his legendary ‘Teenage Opera’. He sang it himself under the pseudonym of Steve Flynn and it was released in 1967. It has such a great catchy tune, the string arrangement is second to none and it is the song that inspired me to write my own songs and start Rinaldi Sings.” 4. Who has been your biggest inspiration? “I’m inspired by many things. Great songwriters like Paul McCartney, Brian Wilson, Mark Wirtz and Teddy Randazzo. I’m influenced by the films of the Sixties, by Michael Caine and Dick Lester, by great literature, by flawless pop tunes, by Tony Christie, by buttercups and rainbows and sunny days and afternoons. I’m inspired by General Johnson and Johnny Johnson, by Samantha Jones and Jack Hammer, by David Lean and Pearl And Dean and Powell and Pressburger. If you can listen to it, watch it or read, I’m influenced by it!” 5. Is there anyone amongst your influences that you think would surprise people and why? “I don’t think David Niven has had a cool makeover yet, has he? I could watch ‘A Matter Of Life And Death’ almost every day and he’s just perfect in it. The film even inspired a song on my first album, by way of an R Dean Taylor-style soul stomp. I was speechless when someone recently pointed out that I was listed on a website of famous fans of the film.” 6. What are you most proud of? “Both of my albums, obviously, but also I’m starting to get reasonably pleased with my multi-instrumental skills. The trombone is my main instrument, but I can find my way around most things and recently I’ve even started playing keyboards live. I did play the guitar very briefly during the first ever Rinaldi Sings gig on a cover version of ‘White Horses’. Although I sometimes write songs on the guitar, I don’t think I’ll be playing one live again in a hurry – it ruins the line of your suit!” 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? “If I wasn’t in Rinaldi Sings, I would be in the audience watching the band, so no, there’s absolutely nothing. I know musicians like that, who blame their failure on other people, but that’s too easy. My one and only regret is that I spent so much time playing other people’s tunes when I could have been recording my own songs. I just wish I’d had the confidence to be this tacky years ago.” 8. What’s the most ridiculous request that’s been asked of you? “I was asked to do a cover version of ‘Back Home’ for the England football team’s campaign at Euro 2008! That would have been slightly absurd, especially as England really were ‘back home’ during the tournament.” 9. What do you think is the secret to a good working relationship amongst musicians? “Bring them into the studio, give them the sheet music, don’t tell them anything about what you’re doing, and then record the noise that comes out. And if you feel a Brian Wilson moment coming on, make them all wear firemen’s helmets.” 10. If you could have played on one song that you haven’t, what would it be? “Anything by The Beatles. Wouldn’t it have been incredible to have sung on the crowd chorus at the end of ‘All You Need Is Love’, or have been a part of the orchestra at the recording of ‘A Day In The Life’. That was the day that The Beatles persuaded all of the orchestral session musicians to come to the studio in full evening dress and then made them wear silly hats and big red clown noses. But I have put on a silly nose if Ringo asked me to, wouldn’t you!” 11. How do you make the balance between music and personal responsibilities? “I’ve learnt that it’s much easier to get forgiveness than it is to get permission!” 12. In light of the Internet and downloading, do you feel that fans are missing out on the record buying experience? “Yes and I think it is having a real detrimental effect on people buying albums as a whole. When I download songs, I tend to buy individual tracks rather than the entire album. Downloading also means you don’t get the artwork that you get with a CD or vinyl and we spend a lot of time of the artwork of the Rinaldi Sings albums – it’s a part of the whole package and I’d really like people to own it all.” 13. Do you think that success is your motivation and do you have a preset gameplan for your music? “I don’t have any plan at all, other than to let as many other people as possible hear my music. I only ever write what pleases me and what pleases those in my closest circle of friends. People can be quite snobbish about music. I’ve got some really good friends who won’t even tell me what they think of my music – they think I shouldn’t be writing catchy melodies, that somehow rock music is so much more of a serious art form than pop, that a song can only count if writing it hurts you. But don’t let the melodies fool you, I’m very serious about what I do and I think the only way I could ever be successful is to write from the heart. Rinaldi Sings is me writing from the heart. Like Marmite, people seem to have a strong reaction to my music – some people get it, some don’t. But success for me will be selling enough copies of each album to keep releasing more albums, and that’s something that not everyone has the chance or the conviction to do.” 14. DJs are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? “Do you mean like Dave Lee Travis and Tony Blackburn. Well, they’re pretty cool aren’t they? What’s not to like about the Hairy Cornflake?” 15. To date, what has been your most memorable gig, either as a performer or as a fan? “It would have to be Brian Wilson playing ‘Pet Sounds’ at the Festival Hall a few years ago. It was fantastic. As for my own gigs, any performance where I get out alive is a bonus.” 16. How do you overcome pre-gig nerves? “I only get nervous if I’m unsure of what I’ve got to do. We are always very well rehearsed and I’m confident of how good we sound, so nerves don’t usually affect me. When I do get nervous I go very quiet and I seem to be able to drink incredibly quickly!” 17. When did you last write something? “Today. ‘Bingo’ is only just about to be released and I’m writing the next album already. I’m working on two new songs called ‘The Highs Are Too High’ and ‘Empress Of The Splendid Season’. My label have told me I can’t leave it another three years until my third album, so I’ve got to get writing.” 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away – and if so, what persuaded you otherwise? “No I haven’t. I’ve found out that it’s the only thing I’m any good at and I quite like it! I’ve really got no idea what I’d do if I didn’t make music. If people stopped buying my songs I’d just record for myself and sit around playing them with my friends.” 19. What are your views on electronics muscling in and replacing live instruments during recording? “Personally, I only use real instruments on my recordings. Even the bassoons on my albums are real. I’ve got nothing against technology in music – we use a lot of it on every album, it’s just when it comes to the instruments, everything is real: violins, ukuleles, flugelhorns, you’ll find them all on ‘Bingo’.” 20. Lastly, thank you for your time. What made you agree to answer these questions? “My record label said you’d asked really politely and money can’t buy good manners!” 20 Questions You Didn’t Know You Wanted To Ask…Felps from PenelopeBaby Charles are in the chair (see pic below…do you like what I did there?) doing the Q&A thang for The Right Side Of Funky right now and a guest mix + Q&A courtesy of Vincent the Soul Chef from Fufu Stew will be coming in to land tomorrow, so be sure to pop by and see what the chef’s cooked up - you won’t be disappointed. Meanwhile over here Penelope singer Felps has done the honours for us. The fantastic Penelope French Band also boast our good friend and favourite vinyl selector Number 9 on bass (which is good enough for me) and have some crackingly groovy tunes. Penelope are definately one to keep an eye on! They currently have a new track ’Eden Rose’ available on a spanish compilation for Bon Vivante Records. Check them out over at myspace and see for yourselves people, it’s just a click away after all! Thank you to Felps for his time and some choice answers! Love n' candy, TBC
1. How would you best describe what you do to the uninitiated? best way to describe penelope ? It sounds like a question for french people !! I guess we’ll agree to say we play pop with 60’s and 70’s sounds… 2. Where would you say you are with regard to your career right now? 3. Which song (not neccesarilly yours) best sums you/the band up and why? 4. Who would you say has been your biggest inspiration (musically or otherwise)? 5. Is there anyone amongst your influences that you think would surprise people and why? 6. What are you most proud of? 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? 8. What’s the most ridiculous request that’s been asked of you/the band? 9. What do you think is the secret to a good working relationship amongst musicians? 10. If you could have played on one song (that you don’t), what would it be and why? 11. How do you make the balance between music and personal responsibilities? 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? 15. To date, what has been your most memorable gig (either as a performer or as a fan)? 16. How do you overcome pre-gig nerves (if you get them)? 17. When did you last write something? 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? 19. What are your views on electronics muscling in and replacing live instuments during recording? 20. Lastly, thank you for your time. What made you agree to answer these questions?
20 Questions You Didn’t know You Wanted To Ask…Chris SheehanA quick update for you folks! Everyones favourite french mod vinyl selector Number 9 has his June selection now up on the player over at myspace so be sure to check in (click on his name), plus on The Right Side Of Funky we are lucky enough to have Andy Lewis (all round top bloke, solo artist, DJ and current Paul Weller bass player) giving his answers. So on we go with more gold dust! For those of you who don’t know Chris Sheehan he is a fantastically talented singer/songwriter who thankfully came to my attention with The Bench Connection and has kept it ever since. A band that includes none other than ex-Mother Earth frontman and personal hero Matt Deighton. Aside from checking out The Bench Connection on myspace and buying their tremendous album ‘Around The House In 80 Days’ I urge you to listen to Chris Sheehans other tracks (click on his name). A particular highlight on his player at the moment for me is ’Not Just You’. An album ‘Goodbye Cruel Circus’ is on the way! Love n' acoustics, TBC
1. How would you best describe what you do to the uninitiated? Here comes the cliche… I try to write songs that resonate with people, frustratingly for me, often people who are a bit down in the mouth - but that for all their apparent melancholy, have a positive undertone of hope. I’ve spent last 10 years trying to work out if I’m the world’s most pessimistic optimist, or optimistic pessimist… 2. Where would you say you are with regard to your career right now? I feel like I’m in the middle of the sea with a penknife, trying to cut my arm and drip some blood into the sea so the sharks will smell it and come and savage me - all the time wondering why I want to swim all the way out here just to get eaten! I’m trying to get the finished record out… 3. Which song (not neccesarilly yours) best sums you/the band up and why? Hmm… Hard to say … either The Pickpockets because I’m overly cynical; Small Words (in big clothes) because I often wake up and wonder what good I’m doing the world by sitting about writing songs on a guitar; or Not Just You because I think I feel l as much like the lyrics now as I did when I wrote it - 8 years ago age 21. Man, it’s taking some time to get this out! 4. Who would you say has been your biggest inspiration (musically or otherwise)? I think my biggest inspiration is fear of conforming to a life setup I swore I’d never go for when I was 15. Fear of a suit and desk; but also fear of never being financially secure enough to have a real family and stuff, which is the whole point of being in this world. Looks like I’m just scared in general! 5. Is there anyone amongst your influences that you think would surprise people and why? Del Amitri. I don’t know why they have this uncool image. Nothing Ever Happens sums up everything I remember about the world around me when I was growing up in the 80’s. The lyrics are brilliant. 6. What are you most proud of? Recording the Bench Connection album in my studio - and people saying it sounded like a lost 70’s record. That was the first album I ever engineered/produced. (Matt and I co-produced it but I recorded it) Maybe it was a fluke, I don’t think so. 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? Not really, I’ve always been overly cautious about that. I got offered a cloak and dagger bye into the fame academy house about 5 years ago and my then manager turned it down flat. A couple of people were like - ‘but you’d make a fortune’ and I just said I didn’t want a 5 minute career doing 90 second cover versions, being taught to sing like a robotic virgin and being judged by people who’ve never listened to All Things Must Pass. And now I’m skint! 8. What’s the most ridiculous request that’s been asked of you/the band? Nothing major yet - doing a showcase in a rehearsal room with session guys for the entire Island Records A&R department having had 2 rehearsals and no gigs together springs to mind. The guys were fantastic, but you can’t just magic up chemistry from nowhere, with no f***ing audience! They signed Keane instead - sorry about that Planet Earth. 9. What do you think is the secret to a good working relationship amongst musicians? Shared sense of humour, and tons of empathy. 10. If you could have played on one song (that you don’t), what would it be and why? Roll On Babe by Ronnie Lane - I can’t stop listening to it since Matt lent me the DVD. Just makes me so happy. Either that, or ‘Love Is All Around’ by Wet Wet Wet - ah to have royalties coming in! 11. How do you make the balance between music and personal responsibilities? I convince myself the see-saw is even when it’s blatantly at 45 degrees. I do it badly and make my life constantly intolerable. I have no idea how so many musicians still have so much hair at 35. I’ll need a wig at this rate. 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? Utterly, totally, completely. Not only are you missing out on the top feeling of going out for the day to buy something affordable (but that gives you infinitely more pleasure than anything else you’ll buy that week) but you end up downloading 3 or 4 albums and never really falling in love with any of them. My favourite songs are always the ones I skip initially, but when I couldn’t be arsed fast forwarding the tape, skipping the CD or moving the needle, you get made to listen to it and think, woa, thats a great line. All my favourites were found like that. Instead of going on itunes, listening to 10 seconds, then hopping onto Limewire or whatever. 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? Part of it yeah. We’re putting together a really great group of people to work the record on a profit share basis, and looking at how to make the gigs work rather than doing lots of one offs you don’t get paid for and spend a fortune rehearsing for, and getting to. Depends how you define success - making a record every 2 years and having enough to live comfortably on sounds like success to me. 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? I don’t mind really. I don’t want fame myself - just to make a good living out of doing what I love. If DJ’s are playing your stuff… it means more people are gonna get into it. Spin it man! 15. To date, what has been your most memorable gig (either as a performer or as a fan)? My second gig in London at the now defunct Kashmir Klub. I absolutely nailed everyone to the wall. That was a few years ago now… 16. How do you overcome pre-gig nerves (if you get them)? Generally I don’t. I fluff the first line and then get a grip. 17. When did you last write something? Yesterday - a little grumpy acoustic song called Mannicures for Mannequins 18. Have you ever reached a point where you’ve thought about throwing the towel in and walking away (and if so, what persuaded you otherwise)? Generally once a month for the last 8 years. I don’t because somewhere inside there’s an incredibly confident numbskull who knows it’ll happen, one way or another. Just keep writing honest stuff, and nicking new chords. 19. What are your views on electronics muscling in and replacing live instuments during recording? They’ll never completely replace live instruments. It’s all horses for courses. You might have an acoustic guitar but with electronic drums and synths. Or real drums with sampled guitar loops. And a lot of live instruments like drums get chopped up and edited - so could be a sample anyway. Depends what kind of record you want to make. On the Bench Connection record we didn’t use a single click track and used proper instruments on everything, playing live - then used mellotron samples for strings on some, real strings on others. On mine there’s a few synths or sampled shakers - but always for effect rather than like some of these lazy arse (and more successful than me!) producers. I think it’s another great tool to have, as long as you can do it the ‘proper’ way if you need to. 20. Lastly, thank you for your time. What made you agree to answer these questions? Vanity! And a desire to talk to someone today other than my basil plant. (I exaggerate of course) 20 Questions You Didn’t Know You Wanted To Ask…Marie Julie from Stereoscope Jerk ExplosionAnd now for something completely different. Marie Julie from Steroscope Jerk Explosion has very kindly allowed us into their groovy world with the Q&A. The debut album is nearing completion and the singer/writer, moog and hammond player has put her tools to one side for a moment to give us her answers. Many thanks to Marie Julie for her time (and in particular, her patience with the English language). You can check out some of their fantastic grooves here on myspace but be sure to click on their name above too, the website is stunning. Love n' swirls, TBC
3. Which song (not neccesarilly yours) best sums you/the band up and why? 4. Who would you say has been your biggest inspiration (musically or otherwise)? 5. Is there anyone amongst your influences that you think would surprise people and why? Ravel. His Bolero is following me for a long time 6. What are you most proud of? 7. In the quest to get the music ‘out there’ have you ever done or agreed to anything you’ve later regretted? 8. What's the most ridiculous request that’s been asked of you/the band? Once we were asked to do a gig but we should pay to play ! Of course, we refused. 9. What do you think is the secret to a good working relationship amongst musicians? 10. If you could have played on one song (that you don’t), what would it be and why? 12. In light of the internet and downloading do you feel that fans are missing out on the record buying discovery/experience? 13. Do you think that success is your motivation and do you have a preset gameplan for your music/the band? No, success is not our motivation, only fun, and if people like what we do, it’s even more pleasure 14. DJ’s are now as famous as a lot of the bands they play, what are your views on this and do you think it’s deserved? 15. To date, what has been your most memorable gig (either as a performer or as a fan)? 16. How do you overcome pre-gig nerves (if you get them)? 17. When did you last write something? I find melodies everytime, sometimes it becomes a song and sometimes not. I was working on our album for a while so I haven’t tried to record a new song, but I have a lot of new themes in mind. 
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I’ve been playing in several bands in the last 15 years, from The Link Quartet to Wicked Minds, Ray Daytona and many more! I’ve always tried to cover the wider range of styles, funk, jazz, soul, beat, pop, prog-rock, psychedelic, kraut, surf, garage, everything that I like!
I’m joking, but I think that success is something that you can expect only in a second moment, it's an effect not a cause. If you try to plan and try to decide if a song is a good song or not, or a project is good or not - thinking if it can be successfull, I think you are wasting time! A lot of musicians and producers consider the listeners like they are stupid, like they will listen to everything that has been promoted correctly. I don’t believe this! I think that people, even those that don’t care about music and don’t have a deep musical culture, can recognize a good product from a bad one. You can have an immediate success making shit but in most cases you are gonna be no one in the next 6 months! Quality is what makes good music different from bad music I think!
